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T. S. Eliot
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Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE
, an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE
also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Monica Furlong | MF
published The End of Our Exploring, a work about the spiritual life titled from T. S. Eliot
's Little Gidding, and dedicated to the memory of her father, Alfred Furlong
. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Furlong, Monica. The End of Our Exploring. Hodder and Stoughton, 1973. prelims |
Textual Production | Storm Jameson | Jameson had been approached by the Ministry of Information
once the USA had entered World War II, for suggestions on how to cement Anglo-American relations. Jameson, Storm. Journey from the North. Harper and Row, 1970. 524 |
Textual Production | Virginia Woolf | The press issued this little book on the same day as Eliot
's Poems and John Middleton Murry
's The Critic in Judgment. |
Textual Production | Anne Ridler | Of the fourteen poets invited to read four were women: Edith Sitwell
, Kathleen Raine
, Dorothy Wellesley
, and Ridler. Sitwell and T. S. Eliot
sat on either side of the Chair of the evening, Desmond MacCarthy
. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 141 |
Textual Production | Edith Sitwell | These volumes were milestones in the development of English modernism, posing a serious challenge to the poetic orthodoxies of the day, through verbal music, incongruous imagery, and a touch of surrealism, rather than the understatement... |
Textual Production | Vita Sackville-West | VSW
followed her Behn biography two years later with Andrew Marvell, to open Faber and Faber
's series The Poets on the Poets (in which the second volume was provided by Eliot
writing on Dante
). Glendinning, Victoria. Vita. Penguin, 1984. 222 |
Textual Production | Bryher | Desmond MacCarthy
had launched Life and Letters in June 1928; it issued its last number this month, and Bryher's new publication first appeared in September. It merged it with the London Mercury after May 1939... |
Textual Production | May Sinclair | MS
published in The Little ReviewPrufrock, and Other Observations: A Criticism, a favourable review and analysis of T. S. Eliot
's recent volume of poetry. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press, 1973. 265 |
Textual Production | Elizabeth Jennings | EJ
titled another poetry volume, Consequently I Rejoice, with words from T. S. Eliot
's Ash Wednesday, quoting the context of the phrase as an epigraph. British Book News. British Council. (1977): May insert Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Doris Lessing | DL
published, in London and New York, her first novel, The Grass is Singing. The idyllic sound of the novel's title is belied by its context in T. S. Eliot
's The Waste Land... |
Textual Production | Dorothy Bussy | The University of Victoria
in Canada has about forty letters written to DB
by T. S. Eliot
, spanning the years 1934 to 1955. The Bibliothèque Nationale
has her correspondence with Gide
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Dylan Thomas | The publication was part of the prize offered by the Sunday Referee for the author of the best poem it had published that year. The previous year's winner had been Pamela Hansford Johnson
, currently... |
Textual Production | Kathleen Raine | Early in her career KR
was known as a commentator on contemporary or near-contemporary, modernist poetry: a volume of her reviews written between January 1941 and March 1951 was published in 2002 as Defining the... |
Textual Production | Djuna Barnes | Nightwood was published in New York in March 1937 by Harcourt Brace
, with an introduction by Eliot
praising its great achievement of a style, the beauty of phrasing, the brilliance of wit and characterization... |
Textual Production | Ada Leverson |
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