Henry Fielding

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Standard Name: Fielding, Henry

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Beatrix Potter
BP deliberately situates some of her stories in long traditions. The eponymous hero and heroine in Two Bad Mice are named after Henry Fielding 's tiny prototype Tom Thumb and Hunca Munca in the mock-heroic...
Intertextuality and Influence Sarah Fielding
The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with...
Intertextuality and Influence Margaret Holford
Selima is a writing heroine: her poems are interspersed in the text, since as she says, As I grow sick or unhappy, I grow poetical.
Holford, Margaret. Selima; or, The Village Tale. Hookham; P. Broster.
2: 73
By midway in the last volume she is...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Intertextuality and Influence Alethea Lewis
Her first chapter explicitly addresses critics, and the authorial voice is often in dialogue with imagined readers—who are given a kind of life as typical young eligibles: the lovely Florinda and her favoured swain.
Feminist Companion Archive.
AL
Intertextuality and Influence Maria Edgeworth
Ormond, a young man seeking a role-model, turns at first to Fielding 's Tom Jones, but later and more laudably to Richardson 's Sir Charles Grandison.
Intertextuality and Influence Rachel Hunter
As its title implies, this novel sets out to flout fictional convention in its bourgeois attitudes and ineligible characters. For both preface and narrative RH adopts the persona of the ugly Old Bachelor, Gilbert Grubthorpe...
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95
Intertextuality and Influence Mary Julia Young
The story opens with Frederic Duvalvin rushing to the aid of an aged peasant and his mule (though he ruins his clothes in doing so), while his cousin Lorenzo di Rozezzi refuses to help. (These...
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Susanna Haswell Rowson
As the title implies, the primary speaker and instructor is the father of the family, whose name, Mr Allworthy, comes from Henry Fielding . The mother plays supporter to him. Both encourage the children to...
Intertextuality and Influence Sheila Kaye-Smith
She was helped and encouraged in this work by her friend the novelist Walter Lionel George .
Stern, G. B. . And did he stop and speak to you?. Henry Regnery.
79
This and her next novel were written on the dining-room table of her parents' house, with all...
Intertextuality and Influence Sara Maitland
She points out that for all Brunton's highly moralistic intentions,
Maitland, Sara, and Mary Brunton. “Introduction”. Self-Control, Pandora, p. ix - xi.
ix
the reason that her Laura needs self-control is that her feelings are passionate, and also that Laura is attracted to heroes created by women...
Intertextuality and Influence Mrs Martin
Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding or Laurence Sterne (the latter, indeed, is mentioned by name). MM hopes her reader...
Intertextuality and Influence Susan Smythies
The title-page bears a quotation from Prior 's verse romance Henry and Emma, but SS lays explicit claim, too, to a canonical tradition of prose fiction. The book begins with a series of tales...

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