Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson.
128
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Friends, Associates | Amabel Williams-Ellis | AWE
's friends and associates included Edith Sitwell
, whose poems she often published in The Spectator; Storm Jameson
, a political mentor Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson. 128 |
Theme or Topic Treated in Text | Rebecca West | This collection, which consists of RW
's contributions to the Bookman in the years 1929-1930, includes Feminist Revolt, Old and New, Notes on the Effect of Women Writers on Mr. Max Beerbohm, and... |
Textual Production | Michelene Wandor | Novels adapted by MW
are not restricted to those by women. Works by male writers she has revised for broadcasting include Kipps by H. G. Wells
, aired on Radio 4
in 1984 and runner-up... |
Friends, Associates | Helen Waddell | Friends from HW
's time at Somerville
included Maude Clarke
, whom she had known as a child and whose Oxford position had been one of the incentives to go there, and archaelogist Helen Lorimer |
Literary responses | Helen Waddell | The book drew a letter of tribute from Max Beerbohm
. Blackett, Monica. The Mark of the Maker: A Portrait of Helen Waddell. Constable. 162 |
Family and Intimate relationships | Iris Tree | Writer, critic, and caricaturist Sir Max Beerbohm
was IT
's half-uncle, the youngest son from Sir Herbert Beerbohm Tree's father's second marriage. Best remembered for his drawings and caricatures of the famous, Beerbohm also wrote... |
Textual Production | Iris Tree | IT
contributed a short memoir on her father to Max Beerbohm
's biography of him, Herbert Beerbohm Tree: Some Memories of Him and of His Art. |
Family and Intimate relationships | Viola Tree | The writer, critic, and caricaturist Sir Max Beerbohm
was VT
's uncle. A son of her grandfather's second marriage, he retained the original surname. Best remembered for his drawings and caricatures of the famous, Beerbohm... |
Textual Production | Viola Tree | Michael Burn
wrote an introduction for this book, and VT
's half-uncle Max Beerbohm
wrote a letter which served as prefatory material. The book draws on a scrapbook or commonplace-book kept by Parsons: hence its... |
Friends, Associates | G. B. Stern | Other plums were Max Beerbohm
, H. G. Wells
, Somerset Maugham
, J. B. Priestley
, and Humbert Wolfe
. Questioned by a reporter about the reason for the party, GBS
suggested that she... |
Theme or Topic Treated in Text | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? Stern, G. B. . And did he stop and speak to you?. Henry Regnery. prelims |
Textual Production | G. B. Stern | GBS
often broadcast on the BBC
. She reviewed books, and later remembered an encounter with an old typescript of a review of A. E. Gallatin
's Sir Max Beerbohm
—Bibliographical Notes, 1944, during... |
Intertextuality and Influence | Muriel Spark | The story takes place at Geneva in Switzerland (transferred from the Italian scene of the real-llife original), on an estate owned by a Baron Klopstock, among characters of diverse national origins. The protagonist, Lister the... |
Textual Features | Muriel Spark | This novel, another treatment of suffering which looks back to the book of Job, Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson. 514 |
Friends, Associates | Constance Smedley | In Birmingham CS
had become friendly with Coulson Kernahan
, through whom she also met Flora Klickmann
. Edgar Pemberton
brought her acquainted with theatrical figures she deeply admired: Sir Charles Wyndham
, and Mary Moore |
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