Wolff, Cynthia Griffin. Emily Dickinson. Knopf.
4
Connections | Author name Sort descending | Excerpt |
---|---|---|
Author summary | Medbh McGuckian | MMG
, who lives in Northern Ireland, is well-regarded among contemporary poets writing in English. She began by writing a very private and reserved poetry. Using images from the home and from nature, she explored... |
Reception | Medbh McGuckian | Single Ladies was most enthusiastically reviewed by Anne Stevenson
in the Times Literary Supplement. She judged MMG
's talent too original to be spoiled by the praise or misunderstanding of critics: her successes are... |
Intertextuality and Influence | Edna O'Brien | EOB
has named many women writers as important to her: she includes among these Jane Austen
, Emily Dickinson
, Elizabeth Bowen
, Anna Akhmatova
, Anita Brookner
, and Margaret Atwood
, adding: Every... |
Education | Tillie Olsen | At home the Lerner children learned Yiddish songs and made up silly plays. Reid, Panthea. Tillie Olsen: One Woman, Many Riddles. Rutgers University Press. 27 |
Intertextuality and Influence | Helen Oyeyemi | HO
identifies more as a reader than as a writer: she cites, alludes to, and rewrites a large number and variety of authors: Emily Dickinson
, Nella Larsen
, Louisa May Alcott
, and Simi Bedford |
Intertextuality and Influence | Helen Oyeyemi | The novel is written from the perspective of an eight-year-old girl, Jessamy (Jess) Harrison (also called Wuraola in Nigeria), the only child of a Nigerian mother and a British father. The book chronicles Jess's loneliness... |
Intertextuality and Influence | Helen Oyeyemi | The collection's epigraph, open me carefully, which the publishers say was written on an envelope containing a letter from Emily Dickinson
to Susan Huntington Gilbert
, June 1852, emphasizes the influence of Dickinson on... |
Intertextuality and Influence | Helen Oyeyemi | As an avid reader, HO
often cites other women writers—as well as men—as influential on her writing. She frequently cites and mentions both Louisa May Alcott
's Little Women and Emily Dickinson
, of whom... |
Literary responses | Sylvia Plath | In an obituary in the Observer on 17 February, Al Alvarez
(who later made extensive use of Plath in his study of suicide) called her the most gifted woman poet of our time .... |
Textual Features | Adrienne Rich | These poems abandon AR
's former regular metres for free verse, as they abandon decorum for outspoken personal expression about the struggle necessary to be a thinking woman rather than a good girl. O’Mahoney, John. “Poet and Pioneer: Adrienne Rich”. The Guardian, pp. Review 20 - 3. 22 |
Textual Production | Adrienne Rich | In this book AR
continues to reconstruct a feminist literary tradition through such essays as Vesuvius at Home: The Poetry of Emily Dickinson, The Tensions of Anne Bradstreet, Woman Observing, Preserving, Conspiring, Surviving... |
Intertextuality and Influence | Adrienne Rich | First published in 1971 (Rich's collections often include writings issued previously), the essay When We Dead Awaken: Writing as Re-Vision is described in 1988 by Elizabeth Meese
as still inform[ing] much of the best work... |
Textual Features | Adrienne Rich | AR
's delineation of a lesbian continuum . . . of woman-identified experience Rich, Adrienne. Blood, Bread, and Poetry. Norton. 51 |
Literary responses | Laura Riding | She considered this book one of the two prime achievements of her writing life. Friedmann, Elizabeth. A Mannered Grace. Persea Books. 17 |
Reception | Sappho | Among the earliest of Sappho
's translators into English was Anne Finch
; among recent translators is Mary Barnard
, 1958. Stevie Smith
declined to take her on. Finch chose to render not a love-poem... |
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