Farr, Florence. Egyptian Magic. Aquarian Press.
12-13, 15, 85
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Sarojini Naidu | In one speech given in 1903, True Brotherhood, SN
advocates the spirit of brotherhood and equality as an antidote to provincialism, declaring I am a real democrat, because to me there is no difference... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | Mary Shelley | When Mary first met Percy Shelley
, he was about to embark on serious publication. Between 1813 and 1821, he published several major works, including Queen Mab, Epipsychidion, The Cenci, and his... |
Intertextuality and Influence | Florence Farr | Farr quotes from a variety of sources, from the Book of the Dead and Iamblichus
's The Mysteries to Shelley
's Ozymandias. Farr, Florence. Egyptian Magic. Aquarian Press. 12-13, 15, 85 |
Intertextuality and Influence | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Intertextuality and Influence | Una Marson | UM
's title and epigraph are taken from a line by Shelley
: The desire of the moth for the star, signifying an unattainable love-object. Her volume was introduced by Philip Sherlock
, who drew... |
Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
Intertextuality and Influence | May Sinclair | The collection also contained homages to George Eliot
and Percy Bysshe Shelley
. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press. 39-40 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 263-4 |
Intertextuality and Influence | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Intertextuality and Influence | Alice Meynell | AM
's associations with Aubrey de Vere
, Patmore
, and Meredith
were mutually beneficial. She shared with these poet-mentors the passion and facility for metrical and verbal analysis. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 19 |
Intertextuality and Influence | Mary Shelley | This novel has an epigraph from John Ford
's The Lover's Melancholy, 1629, about the storms and turmoil of human life. Shelley, Mary. Lodore. Editor Vargo, Lisa, Broadview. 47 |
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