Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45.
45, 16
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Mary Shelley | MS
edited and published a new edition of her husband
's works, with much prefatory material by herself. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 45, 16 |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
Textual Production | Mary Shelley | MS
edited and issued Essays, Letters from Abroad, Translations and Fragments by her husband
and herself. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 633 (14 December 1839): 939-42 |
Textual Production | Robert Browning | RB
's Introductory Essay on Shelley
appeared in Edward Moxon
's edition of Letters of Percy Bysshe Shelley. Day, Aidan, and Robert Browning. “Introduction, Critical Commentary, and Editorial Materials”. Robert Browning: Selected Poetry and Prose, Routledge, pp. 1 - 21, 151. 230 Browning, Robert. Robert Browning’s Poetry: Authoritative Texts, Criticism. Editor Loucks, James F., W. W. Norton. vii The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1269 (21 January 1852): 214-5 |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
Textual Production | Sylvia Townsend Warner | STW
wrote an opera libretto about the last days of Percy Shelley
, The Sea Change, for musician Paul Nordoff
, who had been commissioned by Columbia University
to write an opera. Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus. 222 |
Textual Features | Margiad Evans | A poem dating probably from early 1950 speaks of her firm conviction of the separateness of music and poetry. There is, she wrote, no music in poems: she never heard in poetry either an organ... |
Textual Features | Edna Lyall | The story opens with Charles Osmond's son Brian, a young doctor in Bloomsbury, and his daily observation of a tall schoolgirl on her way home with her books. This is Erica Raeburn, who has... |
Textual Features | Mary Shelley | When she resumed her journal after Percy Shelley
's death she headed it The Journal of Sorrow—Begun 1822. But for my Child it could not End too soon. Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press. 428 |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Features | Una Marson | UM
's poetry has sometimes been characterised as uneven. Her best poems, however, explore black, female identity with perception and passionate honesty. Despite the pervasive influence on her work of Romantic poets such as Shelley |
Textual Features | Edith Sitwell | The English edition appeared the following year. Her choice for inclusion is, as usual, idiosyncratic. She begins well before Chaucer
, with anonymous early religious poems in which may be heard, she writes, the creaking... |
Textual Features | Kathleen Raine | |
Textual Features | Helen Dunmore | The title poem pictures a man skating on a pond; he has the air, though, of a long-distance rather than a pleasure skater, and the poem imagines him going on forever, mounting the crusted waves... |
Residence | Mary Shelley | Mary and Percy Shelley
moved into Albion House, Marlow. Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43. 42 Mellor, Anne K. Mary Shelley: Her Life, Her Fiction, Her Monsters. Routledge. xvi |
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