Ellmann, Richard. James Joyce. Oxford University Press.
525
Connections Sort descending | Author name | Excerpt |
---|---|---|
Author summary | James Joyce | |
Publishing | Storm Jameson | SJ
offered to review for the Egoist, which then printed two pieces of her dramatic criticism. Offered a regular post with the journal by Harriet Shaw Weaver
, she first accepted, then rejected it... |
Publishing | James Joyce | Ulysses was published in Paris by Shakespeare and Company
on JJ
's fortieth birthday. Joyce gave Harriet Shaw Weaver
Copy No. 1 of the de luxe edition; he gave Copy No. 1000 to his wife Nora
. Ellmann, Richard. James Joyce. Oxford University Press. 525 |
Publishing | James Joyce | Harriet Shaw Weaver
(who heard of Joyce through Marsden and succeeded her as editor of The Egoist) developed the Egoist Press
in 1916 for the immediate purpose of publishing A Portrait of the Artist... |
Publishing | James Joyce | |
Publishing | Dora Marsden | DM
's pamphlet The Philosophy of Time was issued by Holywell Press
. This was arranged by Harriet Shaw Weaver
, as Marsden was then a resident patient at Crichton Royal Hospital
. Garner, Les. A Brave and Beautiful Spirit: Dora Marsden, 1882-1960. Avebury. 186 |
Reception | Dora Marsden | Sales of the bimonthly New Freewoman remained low (about 400 copies per issue), a consequence of its appeal to a limited audience and the continued ban by W. H. Smith
. It was kept alive... |
Reception | Dora Marsden | Although the journal was to assume a place of high prominence in modernist criticism, DM
's essays initially reached a small, steadily decreasing audience. The Egoist's December 1919 issue was its last: by this... |
Reception | Dora Marsden | DM
sent her book to trusted readers before and after its publication. Her former instructor Samuel Alexander
(who had published Space, Time and the Deity in 1920) advised against publication, telling her that the text... |
Residence | Dora Marsden | Seldom Seen eventually incorporated both no. 4 and no. 5, Glencoyne Cottages, in Glenridding. The Marsdens had some financial assistance from Harriet Shaw Weaver
, who also rented a neighbouring cottage for visits. The women's... |
Textual Features | Dora Marsden | Marsden was neither unaware nor entirely appreciative of Pound's intellectual programme or his professional ethics. She told Weaver
in a letter of November 1913 (after the journal had again been relaunched with a new name)... |
Textual Production | H. D. | H. D.
assumed (while he was away in the army) the duties of Richard Aldington
as literary editor of The Egoist (formerly The New Freewoman, of which Harriet Shaw Weaver
was editor). Aldington, Richard, and H. D. “Introduction and Commentary”. Richard Aldington and H.D.: The Early Years in Letters, edited by Caroline Zilboorg, Indiana University Press, p. Various pages. 28 Marek, Jayne E. Women Editing Modernism: "Little" Magazines & Literary History. University Press of Kentucky. 10 |
Textual Production | Dora Marsden | Plans were afoot to relaunch The Freewoman shortly after it collapsed in its first form. When Marsden retreated to Southport for health reasons, Rebecca West
acted as liaison between her and supporters in the Freewoman Discussion Circle |
Textual Production | Dora Marsden | This journal had an auspicious beginning: Marsden announced in January that it would serialize James Joyce
's A Portrait of the Artist as a Young Man. Marsden played an important role in Joyce's early... |
Textual Production | Dora Marsden | But DM
's involvement with The Egoist began to slacken shortly after its début. This was in part because of her distance from London (in Southport), her desire to focus on her philosophical writing... |
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