Gems, Pam. Three Plays. Penguin, 1985.
157
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Pam Gems | In February 1984 the Arts Theatre
produced a revised version of this play under the title Loving Women. Jonathan Gems
, PG
's son, designed this production. Gems, Pam. Three Plays. Penguin, 1985. 157 Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157-73. 171 |
| Textual Production | Shena Mackay | |
| Textual Production | Mary Shelley | Laurette's parents were not married to each other: they were living under the Wollstonecraftian
names of Mr and Mrs Mason because Lord Mountcashel would not divorce his wife to allow her to marry George Henry Tighe |
| Textual Production | Helen Dunmore | |
| Textual Production | Nadine Gordimer | In 1992 Penguin
re-issued her short-story volumes Jump, and Other Short Stories and Crimes of Conscience. |
| Textual Production | Emma Tennant | During the 1960s ET
wrote for magazines like Queen and Vogue. She was founder-editor of Bananas, a journal of new writing that ran from 1975 to 1981 and attracted contributors like Angela Carter |
| Textual Production | Bernardine Evaristo | BE
issued through Penguin
another verse novel, entitled The Emperor's Babe. It is set in London under the Romans, in a historical period nearly two thousand years before that of Lara. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Evaristo, Bernardine. Bernardine Evaristo, Writer. http://bevaristo.com/. |
| Theme or Topic Treated in Text | Jeni Couzyn | JC
's introduction is a succinct and sharply intelligent historical sketch of women's poetry in English and the forces arrayed against it. She begins with the Gaelic oral tradition of the Scottish Highlands as represented... |
| Theme or Topic Treated in Text | Sybille Bedford | This volume makes its strong impression through the juxtaposition of the pleasures of food, wine, movement, and places with the horrors of human violence and cruelty and the well-meant but often in practice grotesque or... |
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