qtd. in
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Connections Sort ascending | Author name | Excerpt |
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Reception | Penelope Fitzgerald | Mollie Hardwick
in Books and Bookmen pronounced this to be a delicate water-colour of a novel, small and charming. qtd. in “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Reception | Dylan Thomas | At another performance two weeks later (with the script this time complete), the cast took fourteen curtain calls before Thomas took the final one alone. Other American readings followed. DT
delivered the typed, completed manuscript... |
Reception | Dylan Thomas | The name of the fictional town or village of Llareggub (bugger all spelled backwards) had been in his mind for more than twenty years. He had discussed the project of a history of this... |
Reception | Liz Lochhead | The initial version of Mary and the Monster was not well received. LL
quotes the reviewer from the Birmingham Evening News as saying I'd rather be at the dentist—to which she adds, so would... |
Reception | Malorie Blackman | In 2005 MB
received the Eleanor Farjeon Award from the British Children's Book Circle
for her body of work (then extending over fifteen years). The same year she was awarded the OBE and in 2009... |
Reception | U. A. Fanthorpe | UAF
's poetry was broadcast on the BBC
's Woman's Hour and selected for Poems on the Underground. She was made a Fellow of the Royal Society of Literature
in 1987, a CBE in... |
Reception | Barbara Pym | It was well reviewed by another novelist, Lady Cynthia Asquith
. Beauman, Nicola. Cynthia Asquith. Hamish Hamilton, 1987. 325 |
Reception | Claire Luckham | Tremendously popular with audiences, the play was performed in several cities in Britain and internationally, besides being adapted for BBC
television. In Japan, audiences saw the play as a tragedy about a woman's inability... |
Reception | Enid Blyton | Derek McCulloch
of the BBC
, producer and presenter of Children's Hour, sent an internal memo to Lionel Gamlin
reiterating that no material by EB
was ever to be used. O’Hagan, Andrew. “Light Entertainment”. London Review of Books, Vol. 34 , No. 21, 8 Nov. 2012, pp. 5-8. 5 |
Reception | Barbara Pym | Initially, this novel sold fewer copies than any of BP
's previous books. Even after an excerpt was broadcast on BBC
's Woman's Hour in 1965, sales continued to be low. Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 103-4 |
Reception | Enid Blyton | During the second world war EB
's reputation ensured her access to paper despite shortages and to her publisher's list despite the curtailment of such lists in general. She received practically no rejections of her... |
Reception | Barbara Pym | |
Reception | Marina Warner | Subsequently, Warner has been a Visiting Fellow at the British Film Institute
(1992), Trinity College, Cambridge
(1998), the Humanities Research Centre, Warwick University
(1999), Stanford University
(2000), and All Souls College
, Oxford (2001). She... |
Reception | Josephine Tey | Tey's novel was made into a BBC
television movie in 1986. It was also the unacknowledged basis for the 1963 film Paranoiac, directed by Freddie Francis
. The Internet Movie Database (IMDb). http://www.imdb.com. Tey, Josephine. Brat Farrar. Penguin, 1980. front cover |
Reception | George Eliot | The novel has never been a feature film, but was adapted as a highly successful BBC
television series in 1994. Williams, Neville et al. Chronology of the 20th Century. Helicon, 1996. 529 |
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No bibliographical results available.