Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
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Connections Sort ascending | Author name | Excerpt |
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Publishing | Germaine de Staël | GS
left two unfinished works at her death which were published posthumously. Considérations sur les principaux événemens de la révolution françoise, 1817, appeared in English as Considerations on the Principal Events of the French... |
Publishing | Amelia Opie | |
Publishing | Elizabeth Helme | Editions appeared at Philadelphia in 1799 and New York in 1804 and 1814. In London Longman and Newbery
put out an edition in 1800; in a later edition than this appeared a frontispiece engraved from... |
Publishing | Jane Porter | |
Publishing | Mary Robinson | This marks her abandonment of a series of other unsatisfactory publishers for the firm of Hookham
. Thomas Hookham
(who concentrated on fashionable bookselling but also published a few books a year) issued five of... |
Publishing | Elizabeth B. Lester | Longman
's reader (our literary friend Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 449 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 449 |
Publishing | Amelia Opie | AO
finished her careful revisions to The Father and Daughter and Adeline Mowbray for re-issue in the new edition printed in 1844 by W. Grove and Sons
for Longman
. Opie, Amelia. “Introduction”. Adeline Mowbray, edited by Shelley King and John B. Pierce, Oxford University Press, p. i - xxix. xxxiv, xxxix |
Publishing | Jane Porter | The publisher, Longman
, had advertised this work as in the press in a flyer printed in April 1814 (bound into a copy of Modern Times by Eliza Parsons
, 1814). Within a couple of... |
Publishing | Joanna Baillie | At the end of her life JB
brought together the two major streams of her writing in Dramatic and Poetical Works, published by Longman
with a portrait. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 703 Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 1 |
Publishing | Margaret Holford | The poem was reprinted by Longman, Hurst, Rees, Orme, and Brown
in 1810. In 1821 the author was making enquiries of Longman
through Joanna Baillie
as to how many copies remained of this edition and... |
Publishing | Mary Robinson | |
Publishing | Elizabeth Strickland | When the work reached its third volume ES
secured a rise in the sum due from Colburn
on receipt of each volume to £150. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. under Agnes Strickland |
Publishing | Jane West | |
Publishing | Joanna Baillie | These had all been written years earlier. Baillie had written Witchcraft in 1826-7, Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 2: 592 Witchcraft by Joanna Baillie. Finborough Theatre. |
Publishing | Mary Robinson | Again the print-run was 1,000 copies, but Longman
paid only sixty pounds for copyright, perhaps because at two volumes the novel was only half MR
's previous length. Fergus, Jan, and Janice Thaddeus. “Women, Publishers, and Money, 1790-1820”. Studies in Eighteenth-Century Culture, Vol. 17 , pp. 191-07. 204n19 |
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