OCLC WorldCat.
Methuen
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Emmeline Pethick-Lawrence | Emmeline Pethick (later EPL
) contributed an essay on Working Girls' Clubs to Will Reason
's University and Social Settlements, which appeared in Methuen
's Social Questions of To-Day series. Brittain, Vera. Pethick-Lawrence: A Portrait. George Allen and Unwin, 1963. 25 |
Anthologization | Deborah Levy | The Magdalena Project (https://themagdalenaproject.org/en/) is an international cross-cultural network facilitating production, visibility, and critical discussion of theatre and performance by women. The play has an all-female cast, described on the playwrights website doollee.com (which mistakenly... |
Anthologization | Pam Gems | The play was revived under the new title at London's Hampstead Theatre
in December of the same year. Lloyd Evans, Gareth, and Barbara Lloyd-Evans, editors. Plays in Review, 1956-1980: British Drama and the Critics. Methuen, 1985. 221 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 160 |
Literary responses | Pam Gems | Although the play seemed to be well received during the previews, it received a bad press on opening night. Gems, Pam. “Putting on the Style”. Plays by Women: Volume Three, edited by Michelene Wandor and Michelene Wandor, Methuen, 1984, pp. 47 - 8. 47 |
Performance of text | Louise Page | LP
's comedy Diplomatic Wives premiered at WatfordPalace Theatre
; its publication by Methuen
was timed to coincide with this event. Page, Louise. Diplomatic Wives. Methuen, 1989. prelims |
Publishing | Marie Corelli | This book appeared anonymously, but it quickly came to be known that MC
had co-authored it, along with Eric Mackay
(her half-brother) and Henry Labouchere
. As the extent of Mackay and Labouchere's contribution is... |
Publishing | Sarah Macnaughtan | Subsequent editions were published by Methuen and Co.
(the original publisher), D. Appleton
(in New York), and T. Nelson
. They continued appearing until 1930. OCLC WorldCat. |
Publishing | Beatrice Harraden | |
Publishing | Michelene Wandor | The volume was rejected by several major play publishers, including Methuen
, before the socialist Journeyman Press
agreed to take it. Wandor, Michelene. “Women playwrights and the challenge of feminism in the 1970s”. Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 53 -68. 63 |
Publishing | B. M. Croker | |
Publishing | Louise Page | It was issued in print in 1986, collaboratively by the Women's Playhouse Trust
and Methuen
, inaugurating this innovative joint publishing venture. The edition has the Old Vic
programme bound into its centre. Page, Louise. Beauty and the Beast. Methuen in association with the Women’s Playhouse Trust, 1986. between 22 and 23 |
Publishing | Ménie Muriel Dowie | It was published simultaneously in New York by J. P. Linnicott
and in London by Methuen and Co.
A second London edition appeared just a few months later in May, and the novel was reprinted... |
Publishing | Ménie Muriel Dowie | It was published simultaneously in New York with C. Scribner's Sons
and in London with Methuen and Co. Dowie, Ménie Muriel. Gallia. Small, HelenEditor , J. M. Dent, 1995. xiv OCLC WorldCat. |
Publishing | Margaret Roberts | MR
's final book, appeared (as by the author of Madmoiselle Mori): a study of Saint Catherine of Siena
and Her Times, which was commissioned from her by Methuen
when she was over seventy. Blain, Virginia, Patricia Clements, and Isobel Grundy, editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. Harris, Mary J. Y. Memoirs of Frances Mary Peard. W. H. Smith, 1930. 16 |
Publishing | Michèle Roberts | She began this book out of an impulse to think about where I came from, both genetically and socio-historically. Roberts, Michèle. Paper Houses. Virago, 2007. 313 |
Timeline
June 1889
1980
The Women's Playhouse Trust
was founded to improve opportunities in the theatre for women writers, directors, designers, administrators, technicians and actresses, building on feminist fringe activity but within the mainstream.
Page, Louise. Beauty and the Beast. Methuen in association with the Women’s Playhouse Trust, 1986.
between 22 and 23