Richard Bentley and Son

Connections

Connections Author name Sort ascending Excerpt
Textual Production Rhoda Broughton
The year 1873 saw the publication of a collection of RB 's uncanny short stories, Tales for Christmas Eve, once again from Richard Bentley and Son . An edition of 1879 was re-titled Twilight...
Publishing Rhoda Broughton
She had considered a number of possible titles for this novel, including Morning, Noon and Night and Life's Little Day. She eventually settled on Goodbye Sweetheart Goodbye, which Bentley , despite her objections...
Publishing Rhoda Broughton
Her friend Ethel Arnold reported that Second Thoughts was RB 's own favourite among her works. She wrote it while another friend, Adelaide Kemble , was dying, and would read Kemble chapters at her bedside...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Textual Production Emma Frances Brooke
EFB 's publication of her novel The Heir Without a Heritage (with Richard Bentley and Son , as E. Fairfax Byrrne), displayed her increasingly unorthodox religious and political views.
Anonymous,. “The Times Column of New Books and New Editions”. The Times, No. 32075, p. 14.
32075 (18 May 1887): 14
Textual Production Emma Frances Brooke
EFB used her pseudonym to publish with Richard Bentley and Son of London her first novel, A Fair Country Maid, which expresses her socialist views.
Wallace, William. “New Novels”. The Academy, Vol.
24
, No. 585, p. 42.
585 (21 July 1883): 42
Intertextuality and Influence Gertrude Bell
She wrote the original part of manuscript for pleasure, but had to add six chapters to it to bring it to book-length, urged on by her parents (who wanted to distract her after the death...
Textual Production Barbarina Brand, Baroness Dacre
Translations from Petrarch 's sonnets by BBBD , collected in Dramas, Translations and Occasional Poems, 1821, also appeared in a different form the same year: Ugo Foscolo reprinted them at the end of his...

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