New English Art Club

Connections

Connections Sort descending Author name Excerpt
Family and Intimate relationships Dorothy Brett
Whilst studying at the Slade, Brett was pursued by her instructor Frederick Brown (co-founder of the New English Art Club ). After her graduation she brought Brown along to the Roman Camp to meet her...
Family and Intimate relationships Rosamund Marriott Watson
A heavily pregnant RMW (then Armytage) married her second husband, Arthur Graham Tomson , a painter and member of the New English Art Club , with whom she had already been living.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Family and Intimate relationships Christopher St John
Atwood, who had been exhibiting her paintings since 1893, trained at the Slade School and was a member of the New English Art Club . During World War I she was one of the few...
Occupation Nina Hamnett
An Omega still-life show exemplified the greater recognition NH received this year for her art. She exhibited widely, showing drawings, still lifes and portraits with the Friday Club , the London Group and the New English Art Club
Occupation Nina Hamnett
About one subject, her work, NH did become more serious over the course of the war. Not only had she renewed her passion for drawing (painting supplies were then too expensive), but she had also...
Occupation Dorothy Brett
After graduating from the Slade School of Art, DB became a professional artist. Her most famous early exhibition piece was War Widows, painted in 1916, in which a crowd of black-clad pregnant women take...

Timeline

1886: The New English Art Club was founded in ...

Building item

1886

The New English Art Club was founded in London.
Spencer, Robin. The Aesthetic Movement: Theory and Practice. Studio Vista, 1972.
113
Chilvers, Ian, editor. The Concise Oxford Dictionary of Art and Artists. Oxford University Press, 1990.
329

1911: The Camden Town Group, a group of experimental...

Building item

1911

The Camden Town Group , a group of experimental Post-Impressionist British painters influenced by the work of Walter Sickert , was formed; it excluded women from its membership of sixteen.
Windsor, Alan, editor. Handbook of Modern British Painting 1900-1980. Scolar Press, 1992.
51, 210
Ford, Boris, editor. The Cambridge Guide to the Arts in Britain. Vol. 9 vols, Cambridge University Press, 1988–2024.
8: 159

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