Kelly, Richard. Daphne du Maurier. Twayne, 1987.
150
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Buchi Emecheta | Nova, a magazine that BE
describes as a very glossy high-class magazine for the liberated woman, later decided to serialise In the Ditch.Despite the publisher's concerns, it went into many editions, including one... |
Publishing | Buchi Emecheta | Allison and Busby
gave the book to an American publisher, George Braziller
, in April 1975, a month after publication, and BE
earned ¥322.98. Her publisher also gave her ¥125 publishing fee for the book... |
Publishing | Buchi Emecheta | The British edition published by Allison and Busby
in London came out five months later than the BrazillerNew York edition, even though they had the manuscript first and had sold the rights to Braziller |
Textual Production | Daphne Du Maurier | |
Publishing | Daphne Du Maurier | DDM
left Heinemann
to publish this book with Victor Gollancz
(a successful upstart seeking to promote best-selling works, and in time a leading and respected left-wing publisher). Her agent, Curtis Brown
, urged her to... |
Publishing | Daphne Du Maurier | She decided to publish this collection with her original publisher, Heinemann
, much to Victor Gollancz
's dismay. |
Publishing | Monica Dickens | As she listened to the stories of people living in squalor and desperation she realised, I lived by the pen, and so I must eventually stop looking and listening and go home and shut myself... |
Publishing | E. M. Delafield | She originally titled the book Equipment, but on the advice of F. Tennyson Jesse
(a reader for her publisher, Heinemann
), the title was changed. EMD
had wanted a pseudonym to distinguish herself from... |
Literary responses | E. M. Delafield | Punch gave the novel a very positive review, which Heinemann
used in their advertising: An almost uncannily penetrating study of the development of a poseuse. Told with remarkable insight and a care that is both... |
Textual Production | Clemence Dane | CD
's Fate Cries Out: Nine Tales was published in London by Heinemann
and in Garden City, by Doubleday, Doran
. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. 10: 134 Book Review Digest. H. W. Wilson, 1913–2025. (1935): 243 |
Textual Production | Clemence Dane | CD
's study appeared first in the US, published by Doubleday, Doran
; the UK edition, published by Heinemann
, did not appear until 1930. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Jeni Couzyn | JC
published with Heinemann
in London and Douglas and MacIntyre
in Vancouver a poetry volume called House of Changes, dedicated to Tony a rare fish. British Books in Print. J. Whitaker and Sons, 1874–1987. 1979 University of Alberta Libraries On-line Catalogue. http://www.library.ualberta.ca/. Couzyn, Jeni. House of Changes. Heinemann Educational, 1978. prelims |
Publishing | Catherine Cookson | CC
's rise toward icon status began with Anthony Sheil
's purchase of her agents Christy and Moore
; he moved her books from Macdonald
to the more publicity-conscious Heinemann
. Jones, Kathleen. Catherine Cookson: The Biography. Constable, 1999. 274 |
Publishing | Catherine Cookson | Cookson collaborated with Piers Dudgeon
on Catherine Cookson
Country, one in a Heinemann
series of historical photographs that had already covered the localities of Wordsworth
and Thomas Hardy
. Whitaker’s Books in Print. J. Whitaker and Sons, 1988–2003. (1988) Jones, Kathleen. Catherine Cookson: The Biography. Constable, 1999. 297 |
Textual Production | Joseph Conrad |
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