Viking Press

Connections

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Publishing Tillie Olsen
In the early 1950s TO submitted stories, mostly about family life (in such unacceptable manifestations as a husband's death, a woman's desire, a retarded son), to the Ladies' Home Journal, which seems not...
Publishing Rumer Godden
It was begun in postwar London and finished at Arundel.
Godden, Rumer. A House with Four Rooms. Macmillan.
69-70
It was the last novel owed to Little Brown under RG 's contract with them; after it, she says, Viking Presshad taken...
Publishing Rumer Godden
This novel also was written at Pollards in Buckinghamshire. RG consulted the Chairman and Clerk of London's Metropolitan Juvenile Courts , a police inspector of Bow Street , the Governors and Secretary of the...
Publishing Muriel Spark
The special copies, produced jointly with Observer Books , featured an original etching by Michael Ayrton . The US edition was by Viking (as were those of MS 's next few books); she had broken...
Publishing Nadine Gordimer
NG 's novel A Guest of Honour appeared from Viking Press in New York. The London edition followed next year from Cape , who now succeeded to Gollancz as Gordimer's English publisher.
“Bowker’s Global Books in Print”. globalbooksinprint.com.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing Christina Stead
This was a novel about her former boyfriend Keith Duncan . It began in the early 1930s as The Young Man Will Go Far then became The Travelling Scholar before acquiring its final title.
Rowley, Hazel. Christina Stead: A Biography. Secker and Warburg.
137
Reception Iris Murdoch
British Book News approved what it saw as IM 's abandonment of the deliberately eccentric and inconsequential approach of the earlier novels [for] a straightforward tale of the conflict between love and conventional social obligations...
Textual Production Anne Stevenson
AS 's life of Sylvia Plath , Bitter Fame, was published by Viking in London and Houghton Mifflin in Boston; even before it appeared it was immensely controversial.
Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press.
29-33
Textual Production James Joyce
After seventeen years of writing and revising, JJ 's Finnegans Wake was published in its entirety in London by Faber and Faber and in New York by Viking Press .
Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press.
Parker, Alan. James Joyce: A Bibliography of His Writings, Critical Material, and Miscellanea. F. W. Faxon.
105
Textual Production D. H. Lawrence
Viking Press posthumously published The Letters of D.H. Lawrence, introduced by Aldous Huxley .
Roberts, Warren. A Bibliography of D.H. Lawrence. Hart-Davis.
140
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Textual Production Rebecca West
RW published The Meaning of Treason with Viking Press in New York.
Hutchinson, G. Evelyn. A Preliminary List of the Writings of Rebecca West, 1912-1951. Yale University Library.
14
Textual Production Rebecca West
A Train of Powder, a collection of crime reports by RW , was published by the Viking Press in New York. London publication followed on 3 June.
West, Rebecca. A Train of Powder. Macmillan.
TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive.
2778 (27 May 1955): 280
Textual Production Penelope Lively
In PL 's novel Heat Wave, published this year by Viking , she once more considered the situation of a middle-aged woman looking back at her past life.
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Valentine Ackland
In the American edition, published by Viking Press in November 1933, the two authors' love poems are printed with no attributions, so that readers could not ascertain who wrote each individual poem. However, in the...
Textual Production Willa Cather
In the 1920s WC was working for a maximum of three hours a day, banishing her work from her mind during the rest of day, but keeping herself fresh for it. She said her only...

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