Godden, Rumer. A House with Four Rooms. Macmillan.
69-70
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Tillie Olsen | In the early 1950s TO
submitted stories, mostly about family life (in such unacceptable manifestations as a husband's death, a woman's desire, a retarded son), to the Ladies' Home Journal, which seems not... |
Publishing | Rumer Godden | It was begun in postwar London and finished at Arundel. Godden, Rumer. A House with Four Rooms. Macmillan. 69-70 |
Publishing | Rumer Godden | This novel also was written at Pollards in Buckinghamshire. RG
consulted the Chairman and Clerk of London's Metropolitan Juvenile Courts
, a police inspector of Bow Street
, the Governors and Secretary of the... |
Publishing | Muriel Spark | The special copies, produced jointly with Observer Books
, featured an original etching by Michael Ayrton
. The US edition was by Viking
(as were those of MS
's next few books); she had broken... |
Publishing | Nadine Gordimer | NG
's novel A Guest of Honour appeared from Viking Press
in New York. The London edition followed next year from Cape
, who now succeeded to Gollancz
as Gordimer's English publisher. “Bowker’s Global Books in Print”. globalbooksinprint.com. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Christina Stead | This was a novel about her former boyfriend Keith Duncan
. It began in the early 1930s as The Young Man Will Go Far then became The Travelling Scholar before acquiring its final title. Rowley, Hazel. Christina Stead: A Biography. Secker and Warburg. 137 |
Reception | Iris Murdoch | British Book News approved what it saw as IM
's abandonment of the deliberately eccentric and inconsequential approach of the earlier novels [for] a straightforward tale of the conflict between love and conventional social obligations... |
Textual Production | Anne Stevenson | AS
's life of Sylvia Plath
, Bitter Fame, was published by Viking
in London and Houghton Mifflin
in Boston; even before it appeared it was immensely controversial. Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press. 29-33 |
Textual Production | James Joyce | After seventeen years of writing and revising, JJ
's Finnegans Wake was published in its entirety in London by Faber and Faber
and in New York by Viking Press
. Drabble, Margaret, editor. The Oxford Companion to English Literature. Oxford University Press. Parker, Alan. James Joyce: A Bibliography of His Writings, Critical Material, and Miscellanea. F. W. Faxon. 105 |
Textual Production | D. H. Lawrence | Viking Press
posthumously published The Letters of D.H. Lawrence, introduced by Aldous Huxley
. Roberts, Warren. A Bibliography of D.H. Lawrence. Hart-Davis. 140 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Rebecca West | RW
published The Meaning of Treason with Viking Press
in New York. Hutchinson, G. Evelyn. A Preliminary List of the Writings of Rebecca West, 1912-1951. Yale University Library. 14 |
Textual Production | Rebecca West | A Train of Powder, a collection of crime reports by RW
, was published by the Viking Press
in New York. London publication followed on 3 June. West, Rebecca. A Train of Powder. Macmillan. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2778 (27 May 1955): 280 |
Textual Production | Penelope Lively | In PL
's novel Heat Wave, published this year by Viking
, she once more considered the situation of a middle-aged woman looking back at her past life. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Valentine Ackland | In the American edition, published by Viking Press
in November 1933, the two authors' love poems are printed with no attributions, so that readers could not ascertain who wrote each individual poem. However, in the... |
Textual Production | Willa Cather | In the 1920s WC
was working for a maximum of three hours a day, banishing her work from her mind during the rest of day, but keeping herself fresh for it. She said her only... |
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