Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins, 1993.
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Connections Sort descending | Author name | Excerpt |
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Reception | Kathleen Raine | She stood as a candidate for election as Professor of Poetry at Oxford
in 1968, but was unsuccessful. (Four years later John Betjeman
told her that she would have been a better choice for Poet... |
Residence | Rhoda Broughton | The move, undertaken so that RB
might be closer to her publisher, and on the assurance of Matthew Arnold
that they would receive a warm welcome, Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins, 1993. 50 |
Residence | Barbara Pym | |
Textual Features | Florence Dixie | FD
sets out her own position in her preface: The Author's best and truest friends, with few exceptions, have been and are men. But the Author will never recognise man's glory and welfare in woman's... |
Textual Features | Seamus Heaney | In these lectures SH
again concerned himself closely with the poet's obligations to society and to humankind. The first lecture, from which the 1995 volume is titled, sets out to show how poetry's existence at... |
Textual Features | Iris Murdoch | The novel is technically innovative: Murdoch composes several chapters entirely either of unattributed dialogue (at parties or social gatherings) or of letters which do not constitute a continued correspondence but, like the conversation, a cacophony... |
Textual Features | Evelyn Waugh | The man who emerges as the white protagonist of the story, Basil Seal, is in trouble with his feckless, privileged circle at home, fed up and wanting to get away, when he is invited to... |
Textual Features | Elizabeth Elstob | Her letter, addressed to her prebendary uncle, Charles Elstob
, mentions her deference to his judgement, and the favour she has received from both Oxford
and Cambridge Universities
. Female modesty, she says, prevents her... |
Textual Features | Gerard Manley Hopkins | |
Textual Features | Ménie Muriel Dowie | In what critic Carolyn Christensen Nelson
considers one of the most humorous of the New Woman novels on marriage to appear during the 1890s, Nelson, Carolyn Christensen. British Women Fiction Writers of the 1890s. Twayne Publishers, 1996. 55 |
Textual Features | Georgiana Craik | In this novel Hugh Ludlow, handsome, healthy, and the only son of a rich man, whose fortune he would of course inherit Craik, Georgiana. Two Women. R. Bentley and Son, 1880, 3 vols. 1: 5 |
Textual Features | Margaret Forster | Like its rejected predecessor, it is based on recent actual experience. Morag Graham, who comes from an unsophisticated, working-class, northern background, has fixed her schoolgirl dreams and aspirations on entrance to Oxford
; she is... |
Textual Features | Joanna Cannan | High Table is an Oxford University
novel, whose protagonist, Theodore Fletcher, grows up a child in a loveless family and feels a sudden, blank dreariness which . . . swamped his mind, when, lying awake... |
Textual Features | Q. D. Leavis | QDL
's review constitutes a personal and professional attack on Woolf, based primarily on three fronts: education, domesticity, and class. A footnote asserts that Woolf commenting on women's institutional education is voicing an opinion on... |
Textual Features | Beatrice Harraden | They wanted, they said, to build up and develop in the very heart of the British Empire the opportunities offered to all women students of all nations. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. (29 March 1906): 8 |
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