Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press.
322
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Occupation | Maria Theresa Kemble | Maria De Camp (later MTK
) began her long stage career playing the role of Cupid in Les Ruses de l'Amour at the King's Theatre
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 322 Sadie, Stanley, editor. The New Grove Dictionary of Music and Musicians. Macmillan. 443 |
Material Conditions of Writing | Isabel Hill | In the same year as My Own Twin Brother, 1834, IH
's West Country Wooing, a monodrama which she composed over the course of two summer evenings, was staged in the first of... |
Leisure and Society | Elinor Glyn | EG
appeared on stage in a tableau vivant, one of a series designed by a socialite named Lady Arthur Paget (Minnie)
and directed by Beerbohm Tree
at His Majesty's Theatre
. EG
's grandson biographer,... |
Performance of text | Emmuska, Baroness Orczy | Having begun with The Scarlet Pimpernel as both play and novel, EBO
wrote a number of further plays, including the eighteenth-century highwayman story Beau Brocade (produced at the Queen's Theatre
under Frank Curzon
, Emmuska, Baroness Orczy,. Links in the Chain of Life. Hutchinson. 109 |
Performance of text | Elizabeth De la Pasture | Elizabeth De la Pasture
's one-act play The Unlucky Family (based on her children's book of the same title) was first performed in a matinée at His Majesty's Theatre
, London. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 604 |
Performance of text | Clemence Dane | CD
's stage adaptation of Max Beerbohm
's The Happy Hypocrite was first performed at His Majesty's Theatre
, London. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. 10: 133 |
Occupation | Clemence Dane | She got her first chance in Eliza Comes to Stay (by H. V. Esmond
) at the Criterion
when the actress due to play the other woman had to drop out because of illness, and... |
Occupation | William Congreve | Congreve was twenty-one when on 22 December 1691 he licensed his first book, a short novel called Incognita: or, Love and Duty Reconcil'd, which was published the following year. Congreve, William. Incognita. Scolar Press. title-page |
Performance of text | Susanna Centlivre | |
Performance of text | Susanna Centlivre | |
Occupation | Frances Brooke | The Haymarket Opera House
was bought for FB
and her actress friend Mary Ann Yates
to run as joint managers. McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press. 151 Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford. 260 |
Occupation | Frances Brooke | FB
and Mary Ann Yates
launched their first opera season at the Haymarket Opera House
. Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix. xlix |
Occupation | Frances Brooke | FB
and Mary Ann Yates
ended their reign as managers of the Haymarket Opera House
. Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix. xlix |
Occupation | Hannah Brand | HB
acted the female lead in her own tragedy Huniades at the King's Theatre
in London: this was billed as her first stage appearance, ignoring the earlier one at Norwich. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 381 |
Occupation | Hannah Brand | HB
took the female lead again in her hastily-revised tragedy Agmunda (its title changed from Huniades, the name of the male lead, to the name of the heroine), at the King's Theatre
in London. Mann, David D. et al. Women Playwrights in England, Ireland and Scotland, 1660-1823. Indiana University Press. 381 |
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