The London Stage 1660-1800. Southern Illinois University Press.
5: 167
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Robinson | MR
herself sold tickets for this benefit. The songs were printed this year, though the piece itself remained unpublished. The manuscript is Larpent 447, Huntington Library
. The London Stage 1660-1800. Southern Illinois University Press. 5: 167 |
Textual Production | Elizabeth von Arnim | She requested that after she died, everything that might threaten the eyes and reason of the biographer be destroyed. Usborne, Karen. "Elizabeth": The Author of Elizabeth and Her German Garden. Bodley Head. 313 |
Textual Production | Helen Craik | |
Textual Production | Maria Theresa Kemble | This is Larpent 1549, Huntington Library
. It was published later that year, in an American edition in 1813, and in a reprint of around 1856. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Mary Robinson | Dorothy Jordan
, who starred in it, set songs by MR
to music. The manuscript of the play is in the Larpent Collection at the Huntington Library
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 13: 37 The London Stage 1660-1800. Southern Illinois University Press. 5: 1707 |
Textual Production | Catherine Cuthbertson | It remained unpublished; its manuscript is Larpent 969 in the Huntington Library
. The identity of this Miss Cuthbertson with the novelist is speculative. |
Textual Production | Anna Margaretta Larpent | AML
closed the diary she had kept since 1773; her last passage describes the business of disposing of the archive of play manuscripts which is now the Larpent Collection in the Huntington Library
. Larpent, Anna Margaretta. A Woman’s View of Drama. Adam Matthew. July 1830 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Vita Sackville-West | Manuscripts of The Land and The Garden are in the Huntington Library
. The Lilly Library
at Bloomington, Indiana, has some letters and early diaries. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Lady Anne Barnard | She had often heard this very popular tune sung by Sophia Johnston
to words beginning The bridegroom greets when the sun goes down. Graham, Henry Grey. Scottish Men of Letters in the Eighteenth Century. Adam and Charles Black. 343 |
Textual Production | Selina Davenport | Some of her letters to Jane Porter
survive at the Huntington Library
and the New York Public Library
. Looser, Devoney. Email to Isobel Grundy about Selina Davenport. |
Textual Production | Anna Margaretta Larpent | Her various diaries and journals are catalogued as Huntington
HM 31201. Vickery, Amanda. The Gentleman’s Daughter: Women’s Lives in Georgian England. Yale University Press. 379 |
Textual Production | Mary Scott | |
Textual Production | Marguerite Gardiner, Countess of Blessington | Many of MGCB
's letters were included by R. R. Madden
(a personal friend) in his edition of her Literary Life and Correspondence, 1855; but he often makes unadvertised cuts in letters. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 9n26 |
Textual Production | Mary Delany | There are sixty-four letters from and fifty letters to MD
's sister, Anne Dewes
, among the Montagu Papers in the Huntington Library
. Her correspondence from her years in Windsor, some of it unpublished... |
Textual Production | Bathsua Makin | The title-page, in Latin, names her father as well as herself, mentions her tender age, and bears epigraphs in Greek and French. The British Library
copy has a note on its final page in the... |
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