Robinson, Annabel. The Life and Work of Jane Ellen Harrison. Oxford University Press.
220
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Vernon Lee | |
Textual Production | Jane Ellen Harrison | JEH
had been considering Themis since about 1907, when she felt that recent archaeological, sociological, and other developments rendered her Prolegomena somewhat outdated. Robinson, Annabel. The Life and Work of Jane Ellen Harrison. Oxford University Press. 220 |
Textual Production | Gertrude Stein | This scientific article was Stein's first published writing. It reported on laboratory experiments designed for William James
's graduate seminar in psychology. GS
and Leon Solomons
asked their subjects to read a story while writing... |
Textual Production | Henry James | The earlier volumes were A Small Boy and Others (29 March 1913) and Notes of a Son and Brother (7 March 1914). Edel, Leon et al. A Bibliography of Henry James. Clarendon Press. 149, 150 |
Textual Production | Vernon Lee | One of her main subjects here is William James
(recently deceased), whose theory of and experiments in pragmatism—particularly his emphasis on the will to believe—Lee disputes in favour of those explored by Charles Sanders Peirce |
Textual Production | May Sinclair | MS
published A Defence of Idealism, in which she regretted having to refute those whose work she greatly admired: Samuel Butler
, Henri Bergson
, William James
, Bertrand Russell
, and others. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press. 112, 258 |
Textual Production | May Sinclair | The review, published in The Egoist, applied William James
's term to describe a style of writing that follows the inner rather than the outer life and time of a character. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press. 266 |
Textual Features | Gertrude Stein | She commented that Cézanne
was also a great influence on her because he conceived the idea that in composition one thing was as important as another thing. Bridgman, Richard. Gertrude Stein in Pieces. Oxford University Press. 47 |
Textual Features | Vernon Lee | In this volume, which brings together shorter publications from earlier years, the authors attempted a map of psychological and physiological responses to art. According to their thesis statement, Aesthetics, if treated by the method of... |
Material Conditions of Writing | Ruth Prawer Jhabvala | |
Literary responses | Gertrude Stein | Reviewers of GS
saw this work as embodying a new naturalism. Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 68 Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 68-9 |
Literary responses | Dorothy Richardson | In a review of DR
's first three novels, published in the Little Review and The Egoist in April 1918, May Sinclair
used the label stream of consciousness to describe Richardson's technique. Sinclair borrowed the... |
Intertextuality and Influence | Jane Marcet | The influence of this book was far-reaching. John Lienhard traces it through works by J. L. Comstock
(himself an editor of Marcet, whose books shap[ed] America), and Dionysius Lardner
(who in turn influenced the... |
Intertextuality and Influence | Gertrude Stein | GS
's studies in psychology, philosophy, and medicine fiction left a deep imprint on her way of thinking and in her work. At Radcliffe College
she learned from William James
his philosophy of Pragmatism: I... |
Instructor | Gertrude Stein | Although GS
did not graduate from high school and she lacked the Latin requirements to pass the university's entrance exams, she nevertheless managed to persuade the Academic Board of her serious desire to pursue higher... |
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