Frances Burney

-
Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB , renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.

Connections

Connections Sort ascending Author name Excerpt
Textual Production Hester Mulso Chapone
HMC 's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney
Textual Production Ann Taylor Gilbert
ATG later remembered that she was writing poetry at seven or eight. She also planned large literary projects
Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, http://U of A, HSS Ruth N .
1: 46
including a prequel to Homer 's Iliad. Like Frances Burney , she tried to...
Textual Production Catharine Maria Sedgwick
While apparently received enthusiastically
Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne.
129
in America, this book had a more mixed reception in Britain. A long review in the Athenæum began by describing CMS as clear of affectation to the extent of being...
Textual Production Angela Thirkell
She was anxious about publication, partly because she had not told her parents that she was writing a novel: this led her mentor W. Graham Robertson to liken her to Fanny Burney .
Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth.
75-6
From...
Textual Production Frances Brooke
FB invited Frances Burney to collaborate with her on a new periodical; Burney declined.
The date is from Brooke's letter expressing regret.
McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press.
204-5, 235n2
Textual Production Charlotte Smith
It was small but handsome. Thomas Stothard did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children...
Textual Production Alice Meynell
She often used this column to address the works of literary women of the past. She judged Jane Austen inferior to Charlotte Brontë , accepting Brontë's opinion that Austen lacked what she, by implication, possessed:...
Textual Production Eliza Parsons
She gave her name as Mrs. Parsons on the title-page and signed the dedication with both her names.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 512
A title-page epigraph reads: Brutus said Virtue was but a name—tis more. ....
Textual Features Sarah Green
The plot owes something to Charlotte Lennox 's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney , then Radcliffe , then Owenson , then Rosa Matilda
Textual Features Mary Russell Mitford
MRM has no patience with Laetitia-Matilda Hawkins 's The Countess and Gertrude or with Byron 's Childe Harold.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
1: 133, 152
She despises Stéphanie-Félicité de Genlis as a delightful mixture of cant and affectation...
Textual Features Helen Craik
Authors quoted on HC 's title-page include La Rochefoucauld . Mary Robinson 's Walsingham is quoted in volume two and supplies the epigraph for volume three.
Craciun, Adriana, and Kari E. Lokke, editors. “The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793-1800”. Rebellious Hearts: British Women Writers and the French Revolution, State University of New York Press, pp. 193-32.
228n47
The story opens shortly before the French Revolution...
Textual Features Sarah Harriet Burney
Its plot concerns an idealised and under-appreciated orphan playing Cinderella among her richer cousins. It includes a sketch of an idealised Madame d'Arzele living in country retirement in England with a noble French refugee: a...
Textual Features Isabella Ormston Ford
In this pamphlet, which she directed towards the middle and upper classes, IOF declares herself interested in both the moral condition and the economic position of industrial women.
Ford, Isabella Ormston. Industrial Women and How to Help Them. Humanitarian League.
1
She argues that prostitution has economic...
Textual Features Anna Letitia Barbauld
The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's...
Textual Features May Crommelin
The story opens as Irene Ronaldson receives the news that she has inherited a fortune of twenty thousand pounds a year.
“May Crommelin (Maria Henriette de la Cherois-Crommelin) (1849 - 1930)”. Crommelin Family, The Netherlands.
Irene is an orphan: her father lost everything in a bank crash, went out...

Timeline

No timeline events available.

Texts

No bibliographical results available.