Women’s Writing in the British Isles from the Beginnings to the Present
Vita Sackville-West
-
Standard Name: Sackville-West, Vita
Birth Name: Victoria Mary Sackville-West
Nickname: Mar
Self-constructed Name: Vita Sackville-West
Self-constructed Name: V. Sackville-West
Married Name: Victoria Mary Nicolson
Self-constructed Name: Julian Sackville-West
Self-constructed Name: David Sackville-West
Styled: the Honourable Victoria Mary Sackville-West
VSW
wrote prolifically and almost obsessively from her childhood in the early twentieth century. She began with poems, plays, and fiction about her family's romantic links to English history. As an adult she used these genres to describe or transform her own complicated love-life: lesbian relationships, triangular relationships, love between masculine women and feminine men. Her best-known poems, The Land and The Garden, create classically-descended georgic from the traditional labour of the Kentish countryside, and the related art of gardening. Many novels (some she called pot-boilers) use conventional style to delineate upper-class society, but she also made forays (first inspired by Virginia Woolf
) into the experimental. She wrote history, biography, travel books, diaries, and letters. She was a popular and productive journalist, both in print and on the radio, whose topics included literature, gardening, and the status of women (though she refused the label of feminist). Her gardening writings and her actual gardens remain her best-known works. Her masterpiece, the Sissinghurst gardens, are the most-visited in Britain.
Broderie Anglaise may be read as the last of a variously-authored trilogy of novels featuring references to the affair between VT
and Vita Sackville-West
, following Vita's Challenge and Virginia Woolf
's Orlando (1928), both...
Family and Intimate relationships
Violet Trefusis
VT
's powerful erotic connection to Vita Sackville-West
, whom she had met in childhood, continued in varying forms from 1910 onwards, but its most intense period began in 1918.
Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997.
97-8,127
Sackville-West and later biographers...
Reception
Violet Trefusis
Sackville-West
and Woolf
never read VT
's text: it did not appear in English until 1985, with Barbara Bray
's translation and Victoria Glendinning
's introduction.
Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997.
257
Glendinning, Victoria, and Violet Trefusis. “Introduction”. Broderie Anglaise, translated by. Barbara Bray and Barbara Bray, Harcourt Brace Jovanovich, 1985.
v, xvi
In a critical essay, Broderie Anglaise...
Cultural formation
Violet Trefusis
Alice Keppel
strongly disapproved of the relationship between Violet and Vita
for many reasons, including the threat posed by the growing scandal over it to Sonia Keppel
's upcoming marriage into a staunchly conservative English family.
Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997.
167-8
Textual Production
Violet Trefusis
VT
's acquaintance Nancy Mitford
suggested that VT
should call this book Here Lies Madame Trefusis.
Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997.
300
In a letter of July 1941, Vita Sackville-West
told Trefusis that she ought to dedicate this book...
Family and Intimate relationships
Violet Trefusis
Unrealistically, she expected that Sackville-West
would somehow rescue her from this marriage, but when Vita stayed on with her husband Harold
at Versailles instead of intervening to stop the wedding, Violet wrote to her, [y]ou...
Fictionalization
Violet Trefusis
In addition to her role in Challenge, VT
appeared in several creative pieces by others. The most famous example is Virginia Woolf
's Orlando, which reimagines VT
as the seductive Princess Sasha, who...
Violence
Violet Trefusis
Distraught, Vita
followed the honeymooning couple to the ParisRitz
and had a troubled reunion with Violet. Vita later wrote, I took her there, I treated her savagely, I made love to her, I didn't...
Reception
Violet Trefusis
Michael Holroyd
suggests in the Afterword to A Book of Secrets: Illegitimate Daughters—Absent Fathers, 2010, that scholarly interest in Vita Sackville-West
created a biassed climate for the reception of VT
. Whatever vessel set...
After she became a marketable name, AU
received an offer from the Sunday Times to write a gardening column on the model of Vita Sackville-West
's, but she declined. She took up reviewing. Faced with...
Textual Production
Marina Warner
MW
published Joan of Arc
: The Image of Female Heroism, her study of the legendary Maid of Orleans who became a fearless soldier, a martyr, and eventually a saint.
Warner's biography of Joan...
Literary responses
Sylvia Townsend Warner
STW
's friend David Garnett
seriously disapproved of the latter part of the book and the heroine's characterisation. However, Vita Sackville-West
particularly liked the part of the story that Garnett criticised.
Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus, 1989.
86
Reception
Augusta Webster
Although some readers disagreed with AW
's decision not to capitalize the first word of each line (a move that Vita Sackville-West
later recognised as a significant departure from established poetic practice, and that AW
Literary responses
Augusta Webster
The Athenæum suggested that this was not a translation or even a paraphrase, but rather a metrical adaptation of a fantastic tale, told in verse which is well suited to its subject.