George Eliot
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Standard Name: Eliot, George
Birth Name: Mary Anne Evans
Nickname: Polly
Nickname: Pollian
Self-constructed Name: Mary Ann Evans
Self-constructed Name: Marian Evans
Self-constructed Name: Marian Evans Lewes
Pseudonym: George Eliot
Pseudonym: Felix Holt
Married Name: Mary Anne Cross
GE
, one of the major novelists of the nineteenth century and a leading practitioner of fictional realism, was a professional woman of letters who also worked as an editor and journalist, and left a substantial body of essays, reviews, translations on controversial topics, and poetry.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Amy Levy | She continued: The Jew, as we know him to-day, with his curious mingling of diametrically opposed qualities; his surprising virtues and no less surprising vices; leading his eager, intricate life; living, moving, and having his... |
| Textual Features | Marie Belloc Lowndes | MBL
emphasised the Empress Frederick
's strong interest in literature, art, and religion. She liked the fact that the empress insisted, on a visit to England, on meeting George Eliot
. Lowndes, Marie Belloc. A Passing World. Macmillan, 1948. 30 |
| Textual Features | Jane Hume Clapperton | Her almost innumerable sources include Charles Darwin
, Herbert Spencer
, Thomas Malthus
, Thomas Huxley
, Francis Galton
, Edward Carpenter
, John A. Hobson
, and Sidney Webb
. She was also inspired... |
| Textual Features | Anne Stevenson | Despite the strong emotion expressed in some of these poems, AS
later remembered the volume as setting free her gift for irony. Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998. 126 |
| Textual Features | Hannah Lynch | HL
's admiration of Meredith is very evident in the preface and throughout the book, which foregrounds his attention to the New Woman. Lynch refers to him as a master in English literature, and above... |
| Textual Features | Mary Elizabeth Braddon | MEB
's His Good Fairy, from the Illustrated London News of 28 May 1894, features a grand duchess of low origin who staves off guilt-induced madness by returning to live as a peasant and... |
| Textual Features | Sophie Veitch | The other sub-plot takes place among the landed gentry, which the rough and practical Hepburn finds a wholly unknown social circle. Veitch, Sophie. James Hepburn, Free Church Minister. A. Gardner, 1887. 63 |
| Textual Features | Adelaide Procter | Milly's Expiation is interestingly reminiscent of Elizabeth Gaskell
's North and South, 1855 (to which the Athenæum compared it), and anticipatory of George Eliot
's Felix Holt, 1866. Milly is an idealised elder... |
| Textual Features | Flora Macdonald Mayor | While spinsters are again perceived as lonely, self-pitying, garrulous, defensive TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4223 (9 March 1984): 238 |
| Textual Features | Julia Kavanagh | In this work, set on the outskirts of London, the heroine is a young seamstress who is neither beautiful nor clever and who has to work for a living. As the narrator notes, there... |
| Textual Features | Emily Dickinson | She began practising literary techniques in letters written to friends and family at this time. Evidence of a dialogic, corresponding voice permeates her poetry, resulting in what Archibald MacLeish
reads as one of the central... |
| Textual Features | Violet Hunt | In March 1910 this journal printed her story The Novelist's Revenge, an exploration both of the end of her own affair with Oswald Crawfurd
and of the broader difficulties (personal and social) faced by... |
| Textual Features | Isabella Ormston Ford | In this pamphlet, which she directed towards the middle and upper classes, IOF
declares herself interested in both the moral condition and the economic position of industrial women. Ford, Isabella Ormston. Industrial Women and How to Help Them. Humanitarian League, 1901. 1 |
| Textual Features | Mary Elizabeth Coleridge | While Charlotte Brontë
, MEC
argues, swept the world away in the storm of her passion and George Eliotconquered it with the power of understanding, [Elizabeth] Gaskell
forced it to weep for pity [and]... |
| Textual Features | Ivy Compton-Burnett | The protagonist, a clergyman's daughter, lives up to her name. She is a child at her mother's graveside in the book's opening scene: by the age of thirty-three she has repeatedly sacrificed her hopes of... |
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