John Milton

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Standard Name: Milton, John

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence B. M. Croker
The first chapter is has an epigraph from Pope (A youth of frolic, an old age of cards) and Croker goes on to head her chapters with great literary names like Milton and...
Intertextuality and Influence Mary Catherine Hume
The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans
Intertextuality and Influence Sarah Stickney Ellis
In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life...
Intertextuality and Influence Anna Maria Mackenzie
A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and...
Intertextuality and Influence Mary Wollstonecraft
MW was replying to a number of authoritative male texts about the nature of women: by Burke (who in Reflections on the Revolution in France had glorified Marie-Antoinette and dismissed non-queenly femininity as animal), Rousseau
Intertextuality and Influence Margaret Croker
The title-page quotes from Milton 's sonnet on his dead wife. The text quotes from Pope and Young . MC emphasises real, sincere emotion (her only recommendation, she says) in her dedication, in the advertisement...
Intertextuality and Influence Anna Maria Mackenzie
The story opens during the sixteenth century, in the forests of Dalecarlia (in Swedish Dalarna), whose copper miners supported Gustav Vasa (in English generally known as Gustavus) in his revolt against Christian II, King of Denmark, Sweden, and Norway
Intertextuality and Influence Sarah Murray
Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God...
Intertextuality and Influence Mary Julia Young
The title-page has two epigraphs. The first begins with two lines from Milton 's Il Penseroso (perhaps alluding to its musical setting by Handel ), which go on to link the nightingale with Anna...
Intertextuality and Influence Phyllis Bottome
The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army , Navy , and Air Force , the Women's Auxiliary Services , and the lives of ordinary...
Intertextuality and Influence Elizabeth Gilding
Among these poems, To Miss —— (March 1783) is a poem of advice which recommends Milton 's Eve as a model. It applies to dawning reason the language both of religion and Romanticism: Go seek...
Intertextuality and Influence Mary, Lady Champion de Crespigny
MLCC provides a sketch of Collingwood's naval career, with accounts of some of his major battles. As by degrees the storms arise, / 'Till hurricanes obscure the skies, / So his tremendous fire increas'd, /...
Intertextuality and Influence Elizabeth Hamilton
EH seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace , Shakespeare , and Milton to...
Intertextuality and Influence Anne Steele
Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton , Gray , Edward Young . She imitates Pope on solitude, writes first of James Hervey 's...
Intertextuality and Influence Henrietta Maria Bowdler
HMB published, anonymously, a long poem entitled Creation, and Other Poems: To Which Are Added, the Bowers of Happiness, a Vision, and an Essay on Sacred Poetry, which she claimed to have written without...

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