Helme, Elizabeth. Clara and Emmeline. G. Kearsley.
title-page
Connections
| Connections | Author name Sort descending | Excerpt |
|---|---|---|
| Intertextuality and Influence | Elizabeth Helme | The title-page quotes Milton
's Paradise Lost on conscience as the guide within. |
| Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
| Intertextuality and Influence | Catherine Hubback | CH
heads her volumes and chapters with quotations. Wordsworth
is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther... |
| Intertextuality and Influence | Mary Catherine Hume | The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans |
| Education | Zora Neale Hurston | She also worked at the beginnings of her education. When she happened upon Milton
's Paradise Lost she devoured it, and she learned Gray
's Elegy in a Country Churchyard by heart in the course... |
| Cultural formation | Lucy Hutton | She was born into the English professional class: its upper ranks, if the motto on her published title-page is a family one. As befitting her marriage to a clergyman, she was a strong member of... |
| Textual Features | Lucy Hutton | LH
draws on a wide range of sources to buttress her argument. These include the results of her reading—Milton
, and the story of the Greek Atalanta (whose male inventors, she says, were not... |
| Textual Production | Aldous Huxley | AH
published another novel, Eyeless in Gaza, titled with a quotation in which the hero of Milton
's Samson Agonistes laments his enslaved condition. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press. 357 Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press. 278 Watt, Donald, editor. Aldous Huxley: The Critical Heritage. Routledge and Kegan Paul. 245 |
| Intertextuality and Influence | Aldous Huxley | Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton
as the lady of Christ's). Huxley, Aldous. Mortal Coils. Chatto and Windus. 3 |
| Education | Elizabeth Inchbald | |
| Intertextuality and Influence | Frances Jacson | |
| Intertextuality and Influence | Frances Jacson | The title-page quotes from Milton
's Samson Agonistes. An address To the Dethroned Sovereign Truth hopes for the restoration of this power which, says the author, is still present although obsolete and obscure. Her... |
| Textual Production | Muriel Jaeger | MJ
titled a little book of essays Shepherd's Trade: this title embodies her claim to be an author, but conceals the implications of its original in Milton
's Lycidas, which questions the value... |
| Textual Features | Muriel Jaeger | In an amusing fantasy entitled Trial of Jane Austen the accused stands charged with masquerading as a great writer. Jaeger, Muriel. Shepherd’s Trade. Arthur H. Stockwell. 118 |
| Textual Features | Ann Jellicoe | The fanciful science-fiction drama presents a world ruled by Mother, who leads the older women of the world to banish men from society and from history. Schoolgirls are made to repeat the chorus, Shakespeare |
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