Grant, Anne. Memoirs of an American Lady. Longman, Hurst, Rees and Orme.
1: 21n
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Frances Jacson | The title-page quotes from Milton
's Samson Agonistes. An address To the Dethroned Sovereign Truth hopes for the restoration of this power which, says the author, is still present although obsolete and obscure. Her... |
| Intertextuality and Influence | Anne Grant | Charlotte Lennox
is alluded to in this book (though AG
gives her birth name wrongly as Massey), |
| Intertextuality and Influence | Mary Shelley | As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS
shows an astonishing power for such a young author of weaving together... |
| Intertextuality and Influence | Anna Seward | AS
was writing religious verse at ten or twelve years old. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 8 |
| Intertextuality and Influence | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
| Intertextuality and Influence | Anne Grant | As well as her central allusion to Barbauld, AG
claims authority for her work by quoting Milton
on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style... |
| Intertextuality and Influence | Augusta Webster | She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton
ic, Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41. 338 |
| Intertextuality and Influence | Ann Hatton | This novel is well supplied with quotations: Macpherson
's Ossian
on the title-page and Robert Blair
(The Grave) to open the first volume, with Shakespeare
and Milton
for the succeeding volumes. It opens... |
| Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
| Intertextuality and Influence | Mary Shelley | The epigraph is a quotation from Milton
's Paradise Lost about not seeking to know the future. MS
frames the story with a visit she made to the Sybil's Cave near Naples (though some have... |
| Intertextuality and Influence | Anna Seward | In metre and general tone it remembers Milton
's L'Allegro. |
| Intertextuality and Influence | Mary Taylor | In her pursuit of female independence, Taylor refutes Milton
's assertion in Paradise Lost (He for God only, and she for God in him), Taylor, Mary. The First Duty of Women. Emily Faithfull. 177 |
| Intertextuality and Influence | Eudora Welty | This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of... |
| Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
| Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
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