“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
240
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Ann Yearsley | Though she avoids apology and excessive humility, AY
seeks sympathy in this volume by touching on her own poverty and suffering. She perhaps took this technique from the craze for Goethe
's Werther, which... |
Textual Features | Anna Swanwick | |
Textual Features | Anna Swanwick | AS
declares at the outset her belief in the progressive development of the human race, and in the contribution that poetry makes to pushing on that development as well as to witnessing and recording it... |
Textual Features | A. Mary F. Robinson | |
Textual Features | Lucy Knox | The volume contains forty-seven original poems and sixteen translations from German—fourteen of them from Goethe
—and two from Italian. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 240 |
Textual Production | Penelope Shuttle | This was published by Saint Albert's Press
at Aylesford in an edition of 500 copies, with 26 copies in hard covers on special paper, signed by the poet and marked with the letters of the... |
Textual Production | Margaret Fuller | MF
's earliest known writings were connected to her interest in the works of Goethe
. She translated his Torquato Tasso between late 1833 and 1834, although it first appeared in print posthumously, in the... |
Textual Production | Elizabeth Sophia Tomlins | EST
's second novel, The Victim of Fancy, published as by a Lady, appeared, post-dated 1787. It was epistolary and highly sentimental, composed in response to the cult of Goethe
's (translated) The Sorrows of Werter. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 414 |
Textual Production | Constance Naden | This had a red cover with the same design of a trailing plant that adorned her Songs and Sonnets of Springtime, with the frontispiece image and signature (Constance C.W. Naden) which are... |
Textual Production | Jane Welsh Carlyle | In her youth Jane Welsh composed verse translations from texts by Goethe
and Pierre Cardenal
, and of Chateaubriand
's Atala. She also wrote a number of original short poems; two of those that... |
Textual Production | Sarah Austin | One of SA
's most important translations, Characteristics of Goethe (from several German authors), appeared in three volumes. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 291 (1833): 322-23 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Textual Production | Violet Trefusis | Following the relaunch of her marriage to Denys Trefusis
in early 1922, VT
kept a diary that was, she says, entirely given over to that eternally adolescent couple: Weltschmerz and Schadenfreude. Trefusis, Violet, and Philippe Jullian. Don’t Look Round. Hutchinson. 81 |
Textual Production | Eglinton Wallace | EW
made an early venture into print by contributing to the controversy swirling around Goethe
's Werter: A Letter to a Friend, with a Poem called, The Ghost of Werter. Wallace, Eglinton. A Letter to a Friend, with a Poem called, The Ghost of Werter. T. Hookham. 16 |
Textual Production | Eliza Parsons | Founded on Fact[s] in titles often had no basis in truth, having been used, for instance, on translation from Goethe
in 1779 as The Sorrows of Werter. A German Story, Founded on Fact |
Textual Production | Anna Swanwick |
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