Bray, Anna Eliza, and Mary Maria Colling. “Letters to Robert Southey”. Fables and Other Pieces in Verse by M.M. Colling, Longman, Rees, Orme, Brown and Green, pp. 1-85.
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Connections
| Connections | Author name Sort descending | Excerpt |
|---|---|---|
| Dedications | Christabel Coleridge | This small-size book has an ornamental cover and title-page, both printed in black and red on white. CC
dedicates it, with a quotation offering flowers, from Shakespeare
's The Winter's Tale, to J. F... |
| Publishing | Mary Maria Colling | Some time after 17 March 1831 Longman, Rees, Orme, Brown and Green
presented Colling with a copy of the plays of Shakespeare
(the Bard), having heard that she admired his poetry. |
| Family and Intimate relationships | Ivy Compton-Burnett | Five years after Ivy came home from college, her mother's death left her, her brother Noel, and Martyn Mowll
as joint trustees and guardians of her four younger sisters: Vera
, Judy
, Topsy
... |
| Intertextuality and Influence | Ivy Compton-Burnett | This was a new influence added to those of the Victorian novelists (especially the women), Shakespeare
, and Jane Austen
, whom she admired extravagantly (Even her dull scraps are music to me)... |
| Characters | Ivy Compton-Burnett | In A Heritage and its History an elderly uncle marries a young girl, his nephew seduces her and the son of their union later wishes to marry the nephew's legitimate daughter. British Book News. British Council. (1959): 747 |
| Textual Production | Eliza Cook | On Shakespeare
's presumed three hundredth birthday, a Working Men's Shakspeare [sic] Celebration was held, at which Henry Marston
spoke a Tercentenary Ode written for the occasion by EC
. Cook, Eliza. The Poetical Works of Eliza Cook. F. Warne. 586 |
| Education | Catherine Cookson | |
| Education | Catherine Cookson | |
| Leisure and Society | Maria Susanna Cooper | MSC
kept up with contemporary publications. She asked her son Astley to send her from London the latest volume of Johnson
's edition of Shakespeare Cooper, Bransby Blake. The Life of Sir Astley Cooper, Bart. John W. Parker. 1: 136 |
| Textual Production | Wendy Cope | Four hundred years after Shakespeare
's death, a volume of poetic responses to his sonnets was assembled. WC
contributed a variation on sonnet 22, My glass shall not persuade me I am old: a... |
| Occupation | Marie Corelli | Her guardianship of Shakespeare
's memory extended to public opposition of the Baconian theory that emerged in the early twentieth century: the belief that Shakespeare was not the author of the works attributed to him... |
| Reception | Marie Corelli | MC
took her own work extremely seriously, seeing herself as the Shakespeare
of her age and genre. Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, p. xi - xviii. xiv |
| Education | Marie Corelli | Looking back on her early education, MC
wrote I managed to develop into a curiously determined independent little personality, with ideas and opinions more suited to some clever young man. . . . I instinctively... |
| Residence | Marie Corelli | In Stratford, MC
became known as an eccentric. Her forceful character and her self-proclaimed guardianship of Shakespeare
's memory and birthplace offended many townspeople. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press. |
| Intertextuality and Influence | Blanche Warre Cornish | The title-page quotes Shakespeare
and Germaine de Staël
. The novel introduces its protagonist, William Milton, with generalisations about different types of people, especially those who refuse, out of pride or laziness, to compete for... |
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