British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
Textual Production | Lady Colin Campbell | The title draws on Shakespeare
's exiled duke in As You Like It, who says retirement in the forest will supply books in the running brooks. (II. i, 17) The collection deals partly with... |
Textual Production | Jeanette Winterson | JW
published a novel titled The Gap in Time. The Winter's Tale Retold: first in the Hogarth Shakespeare series in which novelists are commissioned to retell a Shakespearean
plot. She dedicated it to the... |
Textual Production | Charlotte Despard | CD
published A Modern Iago, A Novel in two volumes (whose very title constitutes an allusion to Shakespeare
, her second in a novel title). |
Textual Production | Georgiana Fullerton | When she was nine or ten years old, Geogiana Leveson-Gower (later GF
) began to write scraps of French verses. Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, R. Bentley and Son. 9 |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Mary Boyle | In the Advertisement prefacing her work, MB
professes that this is at best but a feeble attempt to illustrate a favourite subject. Boyle, Mary. The Bridal of Melcha. Henry Colburn. prelims |
Textual Production | Carol Ann Duffy | |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins. 12 |
Textual Features | Elizabeth Cary, Viscountess Falkland | The play is a Senecan tragedy, written for the closet, not the public stage, though it is worth remembering that upper-class circles reading or performing such plays were connoisseurs of the highly dramatised masque... |
Textual Features | A. E. Housman | Housman named the influences on his poetry as non-contemporary texts: the border ballads, Shakespeare
's songs, and Heine
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Features | Sally Purcell | The title poem celebrates the time of winter solstice and red berries variously identified in several traditions with shed blood. The poems are often touched with darkness and strangeness: with the sun turning black as... |
Textual Features | E. Nesbit | EN
does not come clean here about the complicated sexual and genealogical relationships in her family, but she gives a sensitive account of her own development and attitudes as a writer. It is here that... |
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
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