Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Claire Luckham | The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons
instructs her niece on playing... |
Intertextuality and Influence | Iris Murdoch | This time the novel's hidden template is Shakespeare
's The Tempest; IM
also made use of her abortive engagement in 1945 to David Hicks
. Conradi, Peter J. “A Literary Witness to Good and Evil”. Guardian Weekly, Guardian Publications, 21 Feb. 1999, p. 24. 24 Conradi, Peter J. Iris Murdoch. A Life. HarperCollins, 2002. 229 |
Intertextuality and Influence | Phebe Gibbes | In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with... |
Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes Shakespeare
, which in the context of BH
's epigraphs to other tales titled from virtues gives him almost scriptural status. This time the heroine is not reflective from the beginning, but... |
Intertextuality and Influence | Ali Smith | Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender... |
Intertextuality and Influence | Ruth Rendell | The title comes from the Fool in Shakespeare
: Nero is an angler in the lake of darkness.This novel portrays the effects of attempting to control the destinies of others.Three different men are cast... |
Intertextuality and Influence | Angela Carter | The action in the novel takes place over one day, in which the two elderly actresses Dora and Nora Chance (who are twin sisters) are celebrating their seventy-fifth birthday. They share their birthdate with their... |
Intertextuality and Influence | Sarah Fielding | The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with... |
Intertextuality and Influence | Mrs Martin | The title-page quotes Shakespeare
's Romeo and Juliet, Oh serpent heart . . . . Though slightly schematic in plan, the novel features lively and winning pictures of family life. The marriages made by... |
Intertextuality and Influence | Hélène Cixous | She finds an answer in yet another myth (or rather an embroidered story from history), that of Antony and Cleopatra, where the lovers are not trapped by hierarchy, but connected as equals by love: The... |
Intertextuality and Influence | Elizabeth B. Lester | |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
's Hostages to Fortune, also published in 1875, gives a more sustained view of the theatre milieu than did A Strange World. It tells the story of Herman Westray's struggle to succeed... |
Intertextuality and Influence | Susan Du Verger | The titles, however, reveal that romance is to be countered with romance: The Generous Poverty, The Honourable Infidelity, The Fortunate Misfortune, The Double Rape, etc., sound like novels, and they employ... |
Intertextuality and Influence | Felicia Hemans | The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch
, Shakespeare
, Milton
, and Germaine de Staël
. FH |
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