Maria Edgeworth
-
Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Literary responses | Maria Elizabetha Jacson | On 24 August 1795Erasmus Darwin
and Sir Brooke Boothby
wrote a joint letter to Maria Jacson in praise of Botanical Dialogues, which they had read in manuscript. They even expressed the hope that... |
Friends, Associates | Elizabeth Inchbald | EI
first met both Maria Edgeworth
(with whom her friendship had begun two years earlier, when Edgeworth wrote to her in praise of A Simple Story) and Germaine de Staël
. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 159-61 |
Literary responses | Elizabeth Inchbald | EI
received a letter from novelist Maria Edgeworth
containing carefully-formulated praise of the nearly twenty-year-old A Simple Story (which Edgeworth had just read for the third or fourth time). Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 159 |
Textual Production | Elizabeth Inchbald | EI
, or others involved, must have declined to participate in the Longman
's project reported by Catherine Hutton
on 13 June 1816, for a women's periodical intended to bear the names of Inchbald, Barbauld |
Publishing | Catherine Hutton | |
Occupation | Catherine Hutton | As well as collecting illustrations of costume, CH
was an early collector of autographs. (She began both these collections at a young age, but presumably had to start again from scratch after her losses in... |
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown. 3: 95 |
Theme or Topic Treated in Text | Catherine Hutton | Of particular value in CH
's letters are her comments on literature. She offered detailed views on (probably) Elizabeth Heyrick
's Exposition, a pamphlet about economics, admiring the language while doubting Heyrick's capacity to... |
Friends, Associates | Leigh Hunt | While serving his sentence in the Surrey Gaol in Horsemonger Lane (missing his family and ill with lung disease caused by confinement), LH
received as visitors Maria Edgeworth
, William Hazlitt
, Jeremy Bentham
,... |
Literary responses | Fanny Holcroft | The Critical gave this novel a detailed notice starting from the proposition that FH
had not had critical justice because of unfair comparisons with her eminent father. It praised the contrast in personality between the... |
Literary responses | Barbara Hofland | In the early 1820s BH
seems to have been at the apex of her career. She was appreciated not only by her friend Mary Russell Mitford
(who believed that nobody else could combine so much... |
Friends, Associates | Barbara Hofland | BH
retained at least one life-long friendship from her Sheffield or Attercliffe days: with the poet and novelist Sarah Pearson
, who had been her neighbour there. Pearson's will charged Hofland with the task of... |
Publishing | Barbara Hofland | BH
asked her publisher, John Harris
, ten pounds for this book, which was, she said, doing a bold thing. Butts, Dennis. Mistress of our Tears, A Literary and Bibliographical Study of Barbara Hofland. Scolar Press. 39 |
Literary responses | Barbara Hofland | BH
said she had the specific approbation of Maria
and Richard Lovell Edgeworth
for another book set in the lower ranks of society, The Blind Farmer and his Children. |
Textual Features | Barbara Hofland | The title-page quotes James Thomson
, and the preface acknowledges the influence of Maria Edgeworth
's The Modern Griselda, 1805. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 366 |
Timeline
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Texts
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