Lee, Hermione. “Like Buttons in a Box”. Guardian Unlimited, 19 July 2003.
Hermione Lee
Standard Name: Lee, Hermione
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Susan Hill | Critic Hermione Lee
, reviewing the collection for the Guardian, praised SH
's tender attention to detail, and likened her to L. P. Hartley
and Elizabeth Bowen
. |
Literary responses | A. S. Byatt | A review by Hermione Lee
called this book a mosaic of texts, parodies, translations, allusions and fragmentary quotations. . . . an addict's book about the dangers of literary addiction. Lee, Hermione. “Losing the Thread in the Labyrinth of Life”. Guardian Weekly, 8–14 June 2000, p. 18. 18 |
Occupation | Roger Fry | The impact of the exhibition, however, was lasting. Hermione Lee
makes a link between the exhibition and Woolf's famous remark that in December 1910, human character changed. Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 287, 290 |
Occupation | Roger Fry | As Hermione Lee
notes, Roger Fry's original, unorthodox and hugely influential design centre [was] committed to inventiveness, spontaneity, and playfulness, vibrant Italianate colours and bold new shapes. Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 369-70 |
Performance of text | Virginia Woolf | VW
worked long and hard on the lengthy novel which finally became The Years. Its genesis goes back to her speech of 21 January 1931 at the London and National Society for Women's Service |
Publishing | Stevie Smith | Two years later Hermione Lee
edited Stevie Smith: a Selection, and in 2015 Will May edited Smith's Collected Poems and Drawings. |
Reception | Penelope Fitzgerald | Biographer Hermione Lee
announcing in early April 2010 that she was working on PF
, with access to her papers, and, best of all, her library of books with their many personal annotations. Lee, Hermione. “From the Margins: Hermione Lee on Penelope Fitzgerald”. The Guardian, 3 Apr. 2010, pp. Review 1 - 3. 1 |
Reception | Antonia Fraser | This book did better in the USA than in Britain, where feminist thinking had further to go. It won a Wolfson History Award, to the author's delight, and remained the book of which she felt... |
Reception | Edith Wharton | EW
's literary career was achieved in face of the indifference or disapproval of her relations, who felt that to publish was to lose caste. In 1923 EW
was awarded an Honorary DLitt by Yale University |
Residence | Virginia Woolf | Hermione Lee
notes that during this period [p]assionate celebrations of London filled the diaries and letters and spilled over into Mrs. Dalloway. Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 474 |
Textual Features | Flora Macdonald Mayor | While spinsters are again perceived as lonely, self-pitying, garrulous, defensive TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4223 (9 March 1984): 238 |
Textual Features | Willa Cather | This summary may suggest to modern ears a cut-and-dried tale of goodies and baddies, but the motivations of all the central characters are mixed, and a large cast of subsidiary characters enacts complexity where a... |
Textual Features | Virginia Woolf | Hermione Lee
reads the story as an imagined meeting between the Stephen sisters of Bloomsbury and their alternative selves (as they would have been if their lives had remained in the track mapped out for... |
Textual Features | Virginia Woolf | She classed Sickert as a literary painter, even while admitting that words could not touch or grasp the core of his paintings. Hermione Lee
sees Sickert
's paintings of squalid London interiors as a major... |
Textual Features | Virginia Woolf | Hermione Lee
calls this VW
's novel of friendships, her Bloomsbury novel, Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 269 |
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