Lochhead, Liz. Dreaming Frankenstein and Collected Poems 1967-1984. Polygon.
147
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Susan Hill | This is a remarkably informal quarterly: the sketch on its cover shows a bouncing mad-hatter figure with a bunch of flowers in his hand and a pile of books on his head. While endearingly open... |
Textual Features | Wendy Cope | The Muse Strikes Back does not show WC
answering in anger. Her poem to John Clare
(written for the John Clare Society
) is a celebration and a declaration of kinship: Awake in the early... |
Textual Features | Liz Lochhead | Revelation, based on a childhood memory, presents a young girl's encounter with a black bull—immense, / his edges merging with the darkness. Lochhead, Liz. Dreaming Frankenstein and Collected Poems 1967-1984. Polygon. 147 |
Textual Production | Sylvia Plath | The Journals of Sylvia Plath, 1950-1962, edited by Karen V. Kukil
, appeared after the death of Plath's husband, Ted Hughes
: the first printing of the entire corpus of Plath's surviving journals. Rose, Jacqueline. “So many lives, so little time for a desperate poet”. Guardian Weekly, p. 17. 17 |
Textual Production | Seamus Heaney | SH
has edited several poetry anthologies, notably the two on which he collaborated with Ted Hughes
: The Rattle Bag, 1982, and The School Bag, 1997. |
Textual Production | Sylvia Plath | At the time of her death SP
had completed a substantial portion of a novel she had tentatively titled Double Exposure. Hughes, Ted, and Sylvia Plath. “Introduction”. Johnny Panic and the Bible of Dreams, Harper and Row, pp. 1-9. 1 |
Textual Production | Ketaki Kushari Dyson | For this column she reviewed authors such as Sylvia Plath
, D. H. Lawrence
, Thom Gunn
, Ted Hughes
, Cesare Pavese
, Eugene Ionesco
, Simone de Beauvoir
, Jorge Luis Borges
,... |
Textual Production | Sylvia Plath | Hughes was pressured to publish SP
's work shortly after her death. Exercising his copyright control as literary executor, he omitted fourteen of the forty-one poems which Plath had prepared in a collection she had... |
Textual Production | Sylvia Plath | An American edition with further selections appeared in 1979. Tabor, Stephen. Sylvia Plath: An Analytical Bibliography. Meckler. 50 |
Textual Production | Sylvia Plath | Intimate or upsetting passages were censored by Ted Hughes
and his sister Olwyn Hughes
. Ted Hughes has described Plath's journal writing as generally negative self-castigation, or a means of rallying her determination to get... |
Textual Production | Sylvia Plath | Of the journals for the last two years of Plath's life, her husband
destroyed one part. He said later that he wanted to protect their children, thinking of forgetfulness as essential to survival. Rose, Jacqueline. “So many lives, so little time for a desperate poet”. Guardian Weekly, p. 17. 17 |
Textual Production | Ruth Fainlight | In 1986 she published with her introduction, through Turret Books
, the Selected Poems of her late brother Harry Fainlight
, with a memoir by Allen Ginsberg
and a poem by Ted Hughes
, in... |
Textual Production | Frances Horovitz | The year FH
died, poems of hers were reprinted by Gillian Clarke
, Seamus Heaney
, and Ted Hughes
in a commemorative pamphlet. The next year Michael Horovitz
reprinted others in a similar tribute, A... |
Textual Production | Patricia Beer | PB
's varied prose output includes editing work: the PEN
poetry collections of 1962 (with Ted Hughes
and Vernon Scannell
) and 1975, and New Poetry 2, 1976 (with Kevin Crossley-Holland
). She began... |
Textual Production | Anne Stevenson |
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