Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber.
403
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Elizabeth Gaskell | While researching her biography of Charlotte Brontë
, EG
was warned by Henry Chorley
that unpublished letters were protected by copyright, and that she should seek permission from the executors. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber. 403 |
Literary responses | Elizabeth Gaskell | The Athenæum's Henry Fothergill Chorley
said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton. Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge. 62 |
Literary responses | Elizabeth Gaskell | Reviews of Cranford were positive, focusing on its charm and apparent simplicity. In the Athenæum, Henry Fothergill Chorley
commended its touches of love and kindness, of simple self-sacrifice and of true womanly tenderness. Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge. 194 |
Literary responses | Elizabeth Gaskell | Some reviews applauded the courage of Ruth and its author; others decried the subject-matter and language. Henry Fothergill Chorley
's Athenæum review was mixed: he admired some scenes for their honesty and naturalness, but was... |
Literary responses | Elizabeth Gaskell | Most reviews of North and South were positive, athough some criticized EG
for what they saw as inaccuracies in her portrayal of northern industrial life. Chorley
in the Athenæum called this one of the best... |
Literary responses | Georgiana Fullerton | Henry Fothergill Chorley
, reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen
's Emma; he also drew parallels with Frances Burney
's Cecilia... |
Literary responses | Georgiana Fullerton | In Rose LeblancHenry Fothergill Chorley
judged that GF
's power, which was considerable in the early days of her authorship, appears to have been calmed down, and gently washed out of her. He found... |
Family and Intimate relationships | Jessie Fothergill | Man of letters Henry Fothergill Chorley
was apparently connected to the family through JF
's father's paternal grandmother. Debenham, Helen. “’Almost always two sides to a question’: the novels of Jessie Fothergill”. Popular Victorian Women Writers, edited by Kay Boardman and Shirley Jones, Manchester University Press, pp. 66-89. 69 |
Literary responses | Fanny Fern | Henry Fothergill Chorley
(who wrote reviews of both the first and second editions of Fern Leaves from Fanny's Portfolio, identifying FF
as the sister of N. P. Willis in the first and apparently forgetting... |
Literary responses | Amelia B. Edwards | Henry Fothergill Chorley
in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression. Athenæum. J. Lection. 1788 (1862): 151 |
Literary responses | Lucie Duff Gordon | The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book Athenæum. J. Lection. 1917 (1864): 104 |
Literary responses | Camilla Crosland | The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley
merely wondered how persons of taste and sense can be drawn into such frenzies. Athenæum. J. Lection. 1552 (1857): 941 |
Friends, Associates | Camilla Crosland | CC
's friends and acquaintances were varying and numerous. In her youth the radical politician John Cartwright
was a neighbour. Her literary work as an adult led to the formation of a number of lasting... |
Literary responses | Camilla Crosland | Lydia was reviewed in the Athenæum by Henry Fothergill Chorley
. While he did not have much praise for the work itself (some passages were amusing, others pathetic), he was generous with his... |
Literary responses | Georgiana Chatterton | Henry Fothergill Chorley
in the Athenæum wrote that this work had come from the pen of an amiable and accomplished lady and that it could only be described as an amazing production. Athenæum. J. Lection. 1879 (1863): 566 |
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