Henry Fothergill Chorley

Standard Name: Chorley, Henry Fothergill
Used Form: H. F. Chorley
Used Form: Henry F. Chorley

Connections

Connections Author name Sort ascending Excerpt
Publishing Elizabeth Gaskell
While researching her biography of Charlotte Brontë , EG was warned by Henry Chorley that unpublished letters were protected by copyright, and that she should seek permission from the executors.
Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber.
403
Literary responses Elizabeth Gaskell
The Athenæum's Henry Fothergill Chorley said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton.
Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge.
62
He compared the...
Literary responses Elizabeth Gaskell
Reviews of Cranford were positive, focusing on its charm and apparent simplicity. In the Athenæum, Henry Fothergill Chorley commended its touches of love and kindness, of simple self-sacrifice and of true womanly tenderness.
Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge.
194
Literary responses Elizabeth Gaskell
Some reviews applauded the courage of Ruth and its author; others decried the subject-matter and language. Henry Fothergill Chorley 's Athenæum review was mixed: he admired some scenes for their honesty and naturalness, but was...
Literary responses Elizabeth Gaskell
Most reviews of North and South were positive, athough some criticized EG for what they saw as inaccuracies in her portrayal of northern industrial life. Chorley in the Athenæum called this one of the best...
Literary responses Georgiana Fullerton
Henry Fothergill Chorley , reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen 's Emma; he also drew parallels with Frances Burney 's Cecilia...
Literary responses Georgiana Fullerton
In Rose LeblancHenry Fothergill Chorley judged that GF 's power, which was considerable in the early days of her authorship, appears to have been calmed down, and gently washed out of her. He found...
Family and Intimate relationships Jessie Fothergill
Man of letters Henry Fothergill Chorley was apparently connected to the family through JF 's father's paternal grandmother.
Debenham, Helen. “’Almost always two sides to a question’: the novels of Jessie Fothergill”. Popular Victorian Women Writers, edited by Kay Boardman and Shirley Jones, Manchester University Press, pp. 66-89.
69
Literary responses Fanny Fern
Henry Fothergill Chorley (who wrote reviews of both the first and second editions of Fern Leaves from Fanny's Portfolio, identifying FF as the sister of N. P. Willis in the first and apparently forgetting...
Literary responses Amelia B. Edwards
Henry Fothergill Chorley in the Athenæum faulted the book as being something close to a textbook under the guise of entertainment. Young people, he argued, resent such books as engines of oppression.
Athenæum. J. Lection.
1788 (1862): 151
Literary responses Lucie Duff Gordon
The Athenæum's review of Vacation Tourists and Notes of Travel in 1862-3 pronounced Lady Duff Gordon's letters to be the most popular portion of this book
Athenæum. J. Lection.
1917 (1864): 104
and claimed that [n]othing more...
Literary responses Camilla Crosland
The Athenæum review did not address the book's literary qualities. Instead, Henry Fothergill Chorley merely wondered how persons of taste and sense can be drawn into such frenzies.
Athenæum. J. Lection.
1552 (1857): 941
Friends, Associates Camilla Crosland
CC 's friends and acquaintances were varying and numerous. In her youth the radical politician John Cartwright was a neighbour. Her literary work as an adult led to the formation of a number of lasting...
Literary responses Camilla Crosland
Lydia was reviewed in the Athenæum by Henry Fothergill Chorley . While he did not have much praise for the work itself (some passages were amusing, others pathetic), he was generous with his...
Literary responses Georgiana Chatterton
Henry Fothergill Chorley in the Athenæum wrote that this work had come from the pen of an amiable and accomplished lady and that it could only be described as an amazing production.
Athenæum. J. Lection.
1879 (1863): 566

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