Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
297-8
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Eliza Haywood | Noble
published a posthumous edition of The Agreeable Caledonian (1728) with EH
's own revisions, entitled Clementina (perhaps implying a relationship to Richardson
's Sir Charles Grandison). Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 297-8 Critical Review. W. Simpkin and R. Marshall. 25 (1768): 59 Whicher, George Frisbie. The Life and Romances of Mrs. Eliza Haywood. Columbia University Press. 178 |
Textual Production | Anna Letitia Barbauld | ALB
's edition of Samuel Richardson
's Correspondence appeared in six volumes; she abridged the letters she chose by an average of about 30% and changed at least one or two words in all of them. McCarthy, William et al. “Introduction”. The Poems of Anna Letitia Barbauld, University of Georgia Press, p. xxi - xlvi. xlv McCarthy, William. “What Did Anna Barbauld Do to Richardson’s Correspondence? A Study of Her Editing”. Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia, Vol. 54 , pp. 191-23. |
Textual Production | Charlotte Lennox | She had written most of it by November 1751. With Johnson
as mediator, she consulted Richardson
about revisions, denouement, optimum length (she reduced her plan from three volumes to two), and about her choice of... |
Textual Production | Hannah Glasse | This publication history shows the nature of the unfettered, cut-throat publishing world of the mid eighteenth century. John Exshaw
of Dublin, where in 1762 neither the Eales nor the Glasse work had appeared, had probably... |
Textual Production | Hester Mulso Chapone | As a member of the Richardson
circle, his informal core committee of collaborators on his second and third novels, Hester Mulso had some influence on the shaping of Clarissa, both through face-to-face conversation and... |
Textual Production | Eliza Haywood | EH
was early in the field of adverse comment on Samuel Richardson
's Pamela, with a burlesque fiction, Anti-Pamela; or, Feign'd Innocence Detected. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 353-60 Haywood, Eliza. “Introduction and Chronology of Events in Eliza Haywood’s Life”. The Injur’d Husband, or, The Mistaken Resentment; and, Lasselia, or, The Self-Abandon’d, edited by Jerry C. Beasley, University Press of Kentucky, p. ix - xlii. xli |
Textual Production | Frances Sheridan | At about the same age she wrote two sermons, now lost. Eugenia and Adelaide was surreptitiously written, because of her father's dislike of women's scribbling. Frances wrote enough for two volumes, on paper purloined... |
Textual Production | Jane Johnson | JJ
interrupted a letter of tentative moral advice to her friend Mrs Brompton, to cast her thoughts into fiction: The History of Miss Clarissa of Buckinghamshire, who is descended from Richardson
's Clarissa, but... |
Textual Production | Sarah Scott | The Montagu Papers at the Huntington Library
contain 367 of SS
's letters to her sister, and about twice that many from Elizabeth to her. Nicole Pohl
's edition of Scott's letters (those which survived... |
Textual Production | Sarah Fielding | SF
's The History of the Countess of Dellwyn was published in an edition of a thousand copies by Andrew Millar
, and printed by Samuel Richardson
. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xl |
Textual Production | Emma Tennant | Like a Daniel Defoe
or Samuel Richardson
, she professes to be only the editor of her protagonist's own text. |
Textual Production | Hester Mulso Chapone | HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney |
Textual Production | Eliza Haywood | The second volume followed on 26 October 1725. Both were published at Dublin as well; both apparently circulated in manuscript before publication. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 211-12, 213 Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press. 88 |
Textual Production | Anna Seward | In a letter to Humphry Repton
of February 1786 AS
made it clear that she expected cultivated people to disapprove of novels in general, though she admitted that Richardson
's Clarissa was in a different... |
Textual Production | Eliza Haywood | It is not clear whether a first edition was published and read out of existence; in any case, no known copy survives. It may be that the collection's first appearance was the one called the... |
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