Samuel Richardson

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Standard Name: Richardson, Samuel
SR 's three epistolary novels, published between 1740 and 1753, exerted an influence on women's writing which was probably stronger than that of any other novelist, male or female, of the century. He also facilitated women's literary careers in his capacity as member of the publishing trade, and published a letter-writing manual and a advice-book for printers' apprentices.
Stipple engraving of Samuel Richardson, used by Anna Letitia Barbauld in her edition of Richardson's correspondence. He is standing with his right hand tucked into his jacket and a book in his left hand; in the related painting by Joseph Highmore, Richardson holds a paper instead of a book.

Connections

Connections Author name Excerpt
Intertextuality and Influence Tabitha Tenney
Dorcasina's next suitor, Patrick O'Connor, who appears after the lapse of a dozen years, is after her money. He is Irish, aged twenty-two, the natural son of a steward, a gamester and former highwayman who...
Intertextuality and Influence Mary Collyer
MC 's letter-writing heroine is a young Londoner who ecstatically discovers and settles in the country. The plot concerns the love between her and the sentimental Lucius Manly, described as a poor Shaftesburean moralist...
Intertextuality and Influence Anna Maria Mackenzie
This work is flowery and sentimental in style, didactic in aim. In the first letter Colonel Francis Belville, newly returned to Burton Wood (a sweet retreat, in the Wilds of Kent)
qtd. in
Mackenzie, Anna Maria. Burton–Wood. In a Series of Letters. W. Sleater, S. Price, T. Walker, J. Beatty, R. Burton, H. Whitestone, P. Byrne, T. Webb, J. Cash, 1783, 2 Vols.
1: 5
Intertextuality and Influence Tabitha Tenney
Neither the Cumberland episode, nor her father's death, nor her own serious illness brought on by grief, can change Dorcasina. She next fancies that a new servant, John Brown, is a lover in disguise. (The...
Intertextuality and Influence Sarah Green
This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid 's description of chaos. SG slams both male and female novelists, chiefly authors of gothic or horrid novels and...
Intertextuality and Influence Mary Collyer
The protagonist's name had been used by both Richardson (in Clarissa) and Henry Fielding (in Tom Jones) as a kind of generic appellation for a specific maid or young woman of the servant...
Intertextuality and Influence Ann Masterman Skinn
AMS borrows from Richardson a masquerade scene and her basic epistolary form, and radically revises a borrowing from him when her heroine stabs a would-be rapist with scissors. But her general tone and her enjoyment...
Intertextuality and Influence Mrs F. C. Patrick
In the course of a busy plot Augusta is abducted, but saves herself from a forced marriage (her mother, the instigator of this outrage, affects to think her married in the sight of Heaven) by...
Intertextuality and Influence Sarah Green
The heroine's name, Clarissa, is presumably a belated tribute to Richardson . It is hard to gauge the weight of the allusion. Beautiful, dignified, superior, and so forth, Clarissa Dorrington is persecuted by her guardian's...
Intertextuality and Influence Lady Mary Wortley Montagu
Her choice of genres came from her reading in French, not English, fiction, though Louisa (one of two survivors from a cycle of tales set at the court of Louis XIV of France) also...
Intertextuality and Influence Mary Collyer
Betty is literally born in a barn after her destitute and pregnant mother is moved on by heartless parish officers. She survives the stigma of bastardy (though actually born in wedlock) and the hardships of...
Intertextuality and Influence Anna Maria Bennett
Sentiment, however, prevails. In further plot twists, it emerges that Agnes is after all legitimate, while Lady Mary's apparently privileged daughter is illegitimate (and her wealth is not hers after all), since James Neville had...
Intertextuality and Influence Susanna Haswell Rowson
This novel is a tale of seduction, repentance, and forgiveness in the city of New York. Richardson 's Clarissa is a formative influence, but Rowson softens the story of Clarissa by allowing Charlotte's father...
Intertextuality and Influence Medora Gordon Byron
The title-page quotes Milton 's Paradise Lost (There wanted yet the master-work); the preface quotes Samuel Johnson saying that the novelist needs to have first-hand experience of the living world, but that...
Intertextuality and Influence Eliza Parsons
EP follows in the tradition of Richardson , both in her general scheme and in details like an incident involving a male character and his kept mistress. At the outset each of the central friends...

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