Farjeon, Annabel. Morning has Broken: A Biography of Eleanor Farjeon. Julia MacRae.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Eleanor Farjeon | |
Textual Production | Helen Craik | HC
was said after her death to have published writings in French, but these have not been traced. Some of her manuscripts are in private hands. Burns
's two surviving letters to her are in... |
Textual Production | Emily Gerard | At eleven or twelve EG
began to scribble in secret—poetry of course; for what youthful writer at that stage of his or her existence would stoop to prose! Most of her poems were elegies on... |
Textual Production | Ellen Johnston | Her work garnered considerable response, including many poems of praise and compliment which were printed alongside her own in her later collection. These ranged from a verse proposal of marriage to a poetic tribute asserting... |
Textual Production | Anna Gordon | This best-known and most widely sung of all Scots songs dates from, at latest, the beginning of the eighteenth century. Many different writers turned their hand to new versions of it, including Burns
, whose... |
Textual Production | Catharine Maria Sedgwick | CMS
's first novel, A New-England Tale; or, Sketches of New-England Character and Manners, was licensed: it appeared anonymously that year, with a title-page stanza from Robert Burns
, dedicated to Maria Edgeworth
. Sedgwick, Catharine Maria. A New-England Tale. Bliss and White. prelims Damon-Bach, Lucinda L., and Victoria Clements, editors. “Editorial Materials”. Catharine Maria Sedgwick: Critical Perspectives, Northeastern University Press, p. various pages. xxxv |
Textual Production | Jackie Kay | |
Textual Production | Mary Bryan | It was dedicated to James Bedingfield
, and the title page gave her name along with a quotation from Burns
. |
Textual Production | Isabel Pagan | Not all IP
's writing went into her printed volume. She was believed to be the author of two songs which became popular: Crook and Plaid and (the most famous among her works) Ca' the... |
Textual Features | Ali Smith | The arborist re-reads Oliver Twist alongside their partner's lectures and urges the partner to consider discussing the musical form of the novel (a request accommodated, as the academic threads it in alongside Auld Lang Syne... |
Textual Features | Eliza Cook | Her poetic topics strongly reflect her reliance on well-tried promoters of sentiment: death, parting, gypsies, favourite horses and dogs, local feeling for Scotland or Ireland. The collection closes with a section of poems for... |
Textual Features | Mary Russell Mitford | MRM
has no patience with Laetitia-Matilda Hawkins
's The Countess and Gertrude or with Byron
's Childe Harold. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 1: 133, 152 |
Textual Features | Carol Ann Duffy | Titled simply September 2014 and headed with a Gaelic greeting that translates as I love you, this short poem highlights the shared prickliness of the two national symbols and the pilgrimage of an English... |
Textual Features | Catherine Hutton | Jane Oakwood's brother has only one woman author (Elizabeth Inchbald
) in his library; Jane on the other hand is a mine of information and opinion about several generations of a female literary tradition... |
Textual Features | Janet Little | She consistently takes a challenging stance in face of authority. Ironically (in view of Johnson's championing of women writers and Burns's snobbish attitude about herself) she uses Samuel Johnson
as a symbol of the tyrant-critic... |
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