Quin, Ann. “Leaving School—XI”. London Magazine, Vol.
new series 6
, pp. 63-8. 64
Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Ann Quin | Yet at this time books discovered in the public library taught her the possibilities in writing: Greek and Elizabethan dramatists. |
Education | Ruth Prawer Jhabvala | She read voraciously, preferring writers with the geographical rootedness which she herself lacked: George Eliot
, Thomas Hardy
, Charles Dickens
, and from beyond the English tradition Marcel Proust
, James Joyce
, Henry James |
Education | Rumer Godden | RG
's determination to become a writer fuelled a continued self-education. Books were hard to come by in India, yet she managed to find and devour recent publications: Edith Sitwell
's Troy Park and Façade... |
Intertextuality and Influence | Ann Quin | In her short autobiographical article Leaving School—XI, AQ
mentions having been writing stories since the age of seven to entertain myself. Quin, Ann. “Leaving School—XI”. London Magazine, Vol. new series 6 , pp. 63-8. 64 |
Intertextuality and Influence | George Bernard Shaw | GBS
published Heartbreak House (with two other plays), a Chekhov
ian drama about the corruption of British society on the eve of the First World War. Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press, 2002. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research, 1982. |
Intertextuality and Influence | Teresa Deevy | TD
began writing as a child, producing stories about family doings for her mother and sisters. During her last years at school, from 1911, the school magazine, St Ursula's Annual, featured her stories. Living... |
Intertextuality and Influence | Anita Desai | AD
's work weaves together a wide range of cultural and literary references: the Mahabharata and the Bhagavadgîtâ, as well as such European authors as E. M. Forster
, T. S. Eliot
, Dickinson |
Intertextuality and Influence | Antonia Fraser | The setting of this novel is a theatre festival at the grand country home of a former stage star, Christabel Cartwright; Chekhov
's The Seagull, which is to be performed, provides a hidden parallel... |
Intertextuality and Influence | Katherine Mansfield | This particular story, however, was adapted without acknowledgment from one by Chekhov
. It appears that KM
's conscience was not clear about this unmentioned debt. Matthew, Henry Colin Gray, Brian Harrison, and Lawrence Goldman, editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/, http://www.oxforddnb.com/. |
Intertextuality and Influence | Elizabeth Taylor | As a child Betty Coles (later ET
) wrote plays (with very short scenes each demanding a new and elaborate setting) and stories. She said she always wanted to be a novelist. Leclercq, Florence. Elizabeth Taylor. Twayne, 1985. 2 |
Intertextuality and Influence | Romer Wilson | The play traces a bourgeois family's fall from riches to rags as a result of the levelling down of classes in the Russian Revolution. The action begins in 1912 and runs until 1921, the year... |
Intertextuality and Influence | Pam Gems | The play's development was influenced by another project PG
was working on at the time, a translation of Uncle Vanya. Her own play, she explains, was much influenced by Chekhov
, I had tried... |
Intertextuality and Influence | Edna O'Brien | EOB
's imaginative development was nourished by her wide reading, and consideration of a number of writers helped to shape her own style and vision. She has said in (April 2002) that one learns the... |
Leisure and Society | Jennifer Johnston | Although JJ
says she is always reading contemporary young men and women writers coming out of Ireland today, Moloney, Caitriona, Helen Thompson, and Ann Owens Weekes. Irish Women Writers Speak Out: Voices From the Field. Syracuse University Press, 2003. 67 |
Leisure and Society | Kate Parry Frye | When in London KPF
enjoyed going to the theatre, often with John Robert Collins
. She loved Votes for Women! by Elizabeth Robins
in April 1907, thought Ibsen
's A Doll's House splendid in March... |