Charles Baudelaire

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Standard Name: Baudelaire, Charles

Connections

Connections Sort ascending Author name Excerpt
Literary responses Ada Leverson
Robert Ross closed A Note of Explanation which he contributed to the book in a tone of well-meant condescension: if Prospero is dead we value all the more the little memories of Miranda.
Leverson, Ada, and Oscar Wilde. “Reminiscences of the Author”. Letters to the Sphinx from Oscar Wilde, Duckworth, 1930, pp. 19-49.
16
William Rothenstein
Literary responses Rosamund Marriott Watson
Most reviews of Vespertilia and Other Verses were extremely positive, though only one of them (by Norman Gale in Academy) mentioned the other books published under RMW 's different pseudonyms.
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
240
Gale compared her...
Intertextuality and Influence Germaine Greer
The chapters are headed with quotations ranging eclectically through the international canon and counter-canon from Sophocles and The Ramayana of Valmiki (an ancient Indian epic) to Spike Milligan , via Charles Baudelaire , T. S. Eliot
Intertextuality and Influence Joanna Cannan
Not only class, but class and national ideology is under the microscope here. The idea of Englishness is much appealed to. Price admonishes Lisa (who prattles freely of art and Aristotle and Baudelaire , though...
Intertextuality and Influence Georgette Heyer
The novel follows the paradigm of the Cinderella story, or rather that of King Cophetua and the beggar maid, where the lover's power, instead of the power of magic, raises up the abject heroine. Reworking...
Intertextuality and Influence Philip Larkin
As an undergraduate Larkin was naturally still finding his voice. One poem dating from probably 1943 has its title and its lesbian topic from Charles Baudelaire : Femmes Damnées. Larkin's poem of this title...
Intertextuality and Influence Muriel Spark
The protagonist is of this light-heartedly surrealist and paradoxically serious tale is Samuel Cramer, the main character of a Charles Baudelaire story,, now unnaturalistically aged and running a rooming-house in Africa. He has written a...
Intertextuality and Influence Vernon Lee
VL 's supernatural stories are concerned with the spiritual essences of places and past cultures, often represented through the reappearances of classical goddesses and gods, or comparatively lesser-known Renaissance and eighteenth-century figures. Vineta Colby finds...
Intertextuality and Influence Catherine Crowe
This book received mixed reviews. The Athenæum referred to the volumes as awful (presumably meaning that they inspired awe) and noted that the narrative part of [them] is very well done.
Athenæum. J. Lection.
1056 (1848): 79
Critic...
Intertextuality and Influence Edith Sitwell
Charles Henri Ford dedicated to ES his study The Mirror of Baudelaire.
Clements, Patricia. Baudelaire and the English Tradition. Princeton University Press, 1985.
250
Intertextuality and Influence Ada Leverson
In this spoof erotic Baudelairean fantasy, a Poet interviews the Egyptian Sphinx.
Burkhart, Charles. Ada Leverson. Twayne, 1973.
69
Intertextuality and Influence Anita Desai
AD 's work weaves together a wide range of cultural and literary references: the Mahabharata and the Bhagavadgîtâ, as well as such European authors as E. M. Forster , T. S. Eliot , Dickinson
Intertextuality and Influence Edith Sitwell
ES loved Christina Rossetti from her childhood, and later thoroughly admired Gertrude Stein . As a young woman, however, she believed: Women's poetry, with the exception of Sappho . . . and Goblin MarketChristina Rossetti and...
Intertextuality and Influence Edith Sitwell
Some aspects of this fiction suggest an allegory on ES 's relation with Tchelitchew.
Glendinning, Victoria. Edith Sitwell. Weidenfeld & Nicolson, 1981.
209
Her Swift, named Jonathan Hare, explores the deepest circles of Hell,
Clements, Patricia. Baudelaire and the English Tradition. Princeton University Press, 1985.
248-9
the depths of rage and disgust, in a...
Intertextuality and Influence Sally Purcell
On a Cenotaph quotes a phrase from Baudelaire 's poem Lesbos: the shocking juxtaposition of a dead body with adoration in le cadavre adoré di Sapho . Though SP supplied notes to some things...

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