Clemence Dane
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Standard Name: Dane, Clemence
Birth Name: Winifred Ashton
Pseudonym: Clemence Dane
Pseudonym: Diana Portis
wrote, during the earlier twentieth century, over thirty plays for the stage, radio, and screen, in addition to her journalism and other non-fiction, and fourteen fictional works ranging from girls' school novels to detective fiction. Her work frequently addressed political issues of the day.
Timeline
Texts
Dane, Clemence. A Bill of Divorcement. Samuel French, 1921.
Dane, Clemence, and Richard Addinsell. Adam’s Opera. William Heinemann, 1928.
Dane, Clemence, and Richard Addinsell. Alice’s Adventures in Wonderland and Through the Looking-Glass. Samuel French, 1948.
Dane, Clemence et al. Anna Karenina. Metro-Goldwyn-Mayer Studios, 1935.
Dane, Clemence. Broome Stages. William Heinemann, 1931.
Dane, Clemence. Collected Plays. William Heinemann, 1961.
Dane, Clemence, and Richard Addinsell. Come of Age. Doubleday, Doran, 1934.
Dane, Clemence. Eighty in the Shade. Samuel French, 1959.
Dane, Clemence. Fate Cries Out: Nine Tales. Doubleday, Doran, 1935.
Dane, Clemence. First the Blade. William Heinemann, 1918.
Dane, Clemence. Granite. Samuel French, 1926.
Dane, Clemence. He Brings Great News. William Heinemann, 1944.
Dane, Clemence. Herod and Mariamne. Doubleday, Doran, 1938.
Dane, Clemence et al. L’Aiglon. Doubleday, Doran, 1934.
Dane, Clemence. Legend. William Heinemann, 1919.
Dane, Clemence. London Has a Garden. Michael Joseph, 1964.
Dane, Clemence. Regiment of Women. William Heinemann, 1917.
Dane, Clemence. The Moon is Feminine. William Heinemann, 1938.
Dane, Clemence. The Nelson Touch: An Anthology of Lord Nelson’s Letters. Heinemann, 1942.
Dane, Clemence. The Saviours. William Heinemann, 1942.
Sayers, Dorothy L. et al. “The Scoop: Parts I-XII”. The Listener, Vol.
5
. Dane, Clemence. The Shelter Book. Longman’s, Green, 1940.
Dane, Clemence. The Way Things Happen. William Heinemann, 1923.
Dane, Clemence. The Women’s Side. Herbert Jenkins, 1926.
Dane, Clemence. Tradition and Hugh Walpole. Doubleday, Doran, 1929.