Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Features | Maria Edgeworth | The title is ironic: the protagonist is an irritating simpleton (prefiguring Austen
's Mrs Bennet), whose very funny dialogue has its roots in ME
's Essay on . . . Self-Justification. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 320-2 |
Textual Features | Catherine Hutton | CH
had come seriously to admire Jane Austen
: Her novels are pictures of common life, something like mine, but much more varied, and her character is either something like mine, or what I would... |
Textual Features | Jane West | The Danbury ladies take an avid interest in the arrival at a nearby mansion of Mr Dudley and one of his two daughters, whose mother is dead. Again the contrasted heroines (this time sisters) follow... |
Textual Features | Elizabeth Jane Howard | Passages in The Lover's Companion are grouped according to different kinds of love situation (first love, love at first sight, unrequited love, etc.). Authors used include Jane Austen
, Anthony Trollope
, Oscar Wilde
,... |
Textual Features | Anne Stevenson | In the title-poem, each of five stanzas ends with a version of the first closing lines: we thought we were living now, / but we were living then. Stevenson, Anne. Selected Poems, 1956-1986. Oxford University Press, 1987. 128 |
Textual Features | Q. D. Leavis | Here QDL
discusses some of Oliphant's personal experiences, motives for publishing, and the lingering cultural resistance to women authors: we note that still, as in Jane Austen
's family and age, one of the conditions... |
Textual Features | Anne Stevenson | Despite the strong emotion expressed in some of these poems, AS
later remembered the volume as setting free her gift for irony. Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998. 126 |
Textual Features | Catherine Hutton | Of particular value in CH
's letters are her comments on literature. She offered detailed views on (probably) Elizabeth Heyrick
's Exposition, a pamphlet about economics, admiring the language while doubting Heyrick's capacity to... |
Textual Features | Sophia Lee | The preface to this book, newly written for its publication, is SL
's major critical statement about the woman's literary tradition and her own place in it. She mentions the hostile reception of her own... |
Textual Features | Georgiana Cavendish Duchess of Devonshire | The feelings of this Emma are all in extremes. During her early passion she quotes Frances Greville
on the pains of sensibility. Devonshire, Georgiana Cavendish, Duchess of. Emma. T. Hookham, 1773, 3 vols. 1: 66 |
Textual Features | Charlotte Yonge | The paired heroines, Emily and Lilias Mohun, have been traced to Austen
's Sense and Sensibility (though Yonge's pair are only two among a large family). Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 Hayter inadvertently gives Emily's name as Elinor. Hayter, Alethea. Charlotte Yonge. Northcote House, 1996. 5 |
Textual Features | George Eliot | Ashton
discerns here the influence of Jane Austen
, but she deals with a wider social range and, unlike her predecessor, hints at dialect in the speech of her rustic characters. Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton, 1996. 176 |
Textual Features | L. E. L. | The novel also has a strong political element. It comments on the power of newspapers in national life, through reporting and editorials but also through advertising. Mr Delawarr is, says literary historian Edward Copeland, a... |
Textual Features | Eudora Welty | |
Textual Features | Sheila Kaye-Smith | This is, like Sussex Gorse, the story of a man driven by monomaniacal ambition, and like Jane Austen
's Sanditon (from which it could hardly be more different in tone) the story of a... |
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