Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Frances Eleanor Trollope | It begins by relaying the story of Augustus Cheffington, whose marriage below his rank to Susan Dobbs is blamed for his inability to secure himself the respect of proper society or a position in the... |
Textual Production | Melesina Trench | Because a grand-daughter (Mary-Melusina, daughter of Richard Chenevix Trench) married a son of James Edward Austen-Leigh
(first biographer of his aunt Jane Austen
), MT
's papers are now housed with the Austen-Leigh papers at... |
Textual Production | Rose Tremain | RT
published a novel entitled Music and Silence, which she dedicated to her daughter, Eleanor. Scholar John Mullan
has related the title to others employing two abstract nouns, like Elizabeth Inchbald
's Nature and... |
Textual Features | Elizabeth Sophia Tomlins | Though Theresa writes most of the letters in the book, the opening one, as often in women's epistolary novels at this date, is an exchange between men. Tomlins, however, does not attempt to capture a... |
Publishing | Flora Thompson | The Ladies Companion printed most of a winning competition entry by FT
(who was not yet an author), an essay required to capture in 300 words her understanding of Jane Austen
's success. Lindsay, Gillian. Flora Thompson: The Story of the Lark Rise Writer. Hale, 1996. 81 and n3 |
Literary responses | Angela Thirkell | The Times called this novel a suite instead of a symphony. qtd. in Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth, 1977. 127 |
Literary responses | Angela Thirkell | Reviewers were complimentary. One called the book an amusing pastiche in the manner of Jane Austen
. Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth, 1977. 114 |
Textual Production | Angela Thirkell | She also provided introductions for editions of Jane Austen
's Persuasion, 1946, William Makepeace Thackeray
's The Newcomes, 1954, and Anthony Trollope
's Barchester Towers, 1958. |
Publishing | Ann Thicknesse | AT
was a composer of music as well as a performer and writer. Jane Austen
transcribed her composition The Fandango into book two of the family music collection now at Jane Austen's House Museum. Grover, Danielle. “Partly Admired & Partly Laughd at at every tea table: The Case of Ann Thicknesse (née Ford) and The School for Fashion (1800)”. Female Spectator, Vol. 12 , No. 3, 1 June 2008– 2025, pp. 5-8. 5 |
Dedications | Emma Tennant | |
Textual Production | Emma Tennant | ET
published two more sequels: Emma in Love, Jane Austen
's Emma Continued, and Elinor and Marianne, A Sequel to Sense and Sensibility. Tennant, Emma. Emma in Love. Fourth Estate, 1996. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Author summary | Emma Tennant | ET
wrote and published in many genres between 1973 and the second decade of the twenty-first century, and often blended one genre with another. Wilson, Frances. “Emma Tennant obituary”. theguardian.com, 31 Jan. 2017. |
Textual Production | Emma Tennant | In the same year she published Tess, which is based on and continues the story of Hardy
's Tess of the d'Urbervilles. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Reception | Elizabeth Taylor | Although she received some glowing reviews throughout her career from some of the most distinguished of her novelistic peers, ET
has also been damned with faint praise. She has been called both the modern man's... |
Literary responses | Jane Taylor | Critic Stuart Curran
calls this volume brilliant. He notes the resemblance of its fine irony Curran, Stuart. “The I Altered”. Romanticism and Feminism, edited by Anne K. Mellor, Indiana University Press, 1988, pp. 185-07. 192 |
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