Eliza Haywood

EH was the most prolific novelist by number of titles (even ignoring those doubtfully ascribed) between Aphra Behn and Charlotte Smith . She also wrote poems, plays, periodicals, conduct books, translation, and theatre history. Her output of 72 works and four collections (actual or planned) skews all graphs of the rising output of published works by women. Some readers find the endless, breathless sex scenes of her earlier fiction tedious; but behind the sensationalism is a sharp mind. She is hilariously satirical, pointedly topical, formally inventive and experimental, and trenchantly critical of power misused (in both political and gender relations). Her career shows a certain direction as well as a constant opportunism. The varied origins of the novel gave her scope for original hybridizations of the pliable new form. Her Betsy Thoughtless first brought to the post-Richardsonian novel a female viewpoint unmonitored by male mentors. Her Female Spectator was the first woman's work in the new magazine genre.