Critical Review. W. Simpkin and R. Marshall.
38 (1803): 110ff
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Anne Bannerman | A footnote mentioned the previous issue's text of Coleridge
's Introduction to the Tale of the Dark Ladie (not its first printing). |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 143 |
Friends, Associates | Joanna Baillie | Other friends included the Hon. Judith Milbanke
(whose daughter became Lady Byron
), Lady Byron herself (whom Baillie strongly supported during the long-drawn-out unpleasantness of her marriage), Henry Reeve
, William Sotheby
, William Harness |
Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company. 13 |
Family and Intimate relationships | Sarah Flower Adams | Sarah' s father, Benjamin Flower
, was a political writer, a religious dissenter, and the editor and publisher of the Cambridge Intelligencer, which first published six of Coleridge
's early poems. In 1799 he... |
Textual Features | Valentine Ackland | Warner and Ackland point out in a Note to the Reader, which is a kind of manifesto, that the text is not a collaboration, but rather a joint collection of their poetry. They explain... |
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