Waller, Gary F. Mary Sidney, Countess of Pembroke: A Critical Study of Her Writings and Literary Milieu. University of Salzburg, http://BLC.
143
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | L. E. L. | LEL recalled devising poetry during her early childhood in East Barnet, where she moved at the age of seven: I cannot remember the time when composition in some shape or other was not a... |
Theme or Topic Treated in Text | L. E. L. | However, LEL's version of the narratives of her female precursors presents a complex layering of voices framed by that of her Florentine improvisatrice. Even though the speaker has poured [her] full and burning heart /... |
Reception | Sarah Lewis | SL
's eclipse into relative obscurity is attributable to a number of factors, and raises the question to what degree she deserved the praise she received. One critic remarks that her fame . .... |
Literary responses | Anne Locke | Charles A. Huttar
has praised AL
's sermon translation as readable, clear, and energetic—qualities in her original which it would have been easy to lose in translating. Editor Kel Morin-Parsons
calls the sonnets her most... |
Intertextuality and Influence | Jane Loudon | In prose the opening tale, Julia de Clifford, presents a well-meaning but thoughtless and impulsive heroine who progresses from dressing up as a ghost to scare the servants, to plunging her lover into despair... |
Textual Production | Mary Sidney Herbert, Countess of Pembroke | Mary Sidney Herbert, Countess of Pembroke
, completed a poem translated from Petrarch
: The Triumph of Death. Waller, Gary F. Mary Sidney, Countess of Pembroke: A Critical Study of Her Writings and Literary Milieu. University of Salzburg, http://BLC. 143 |
Textual Features | Mary Russell Mitford | This time MRM
's setting was fourteenth-century Rome. Rienzi was a friend of Petrarch
. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 31 |
Textual Production | Eiléan Ní Chuilleanáin | In another collaborative venture, ENC
joined with her brother |
Travel | Anne Plumptre | Taking advantage of the new freedom of English people to visit post-Revolutionary France, she joined forces with John
and Amelia Opie
to travel first to Paris. She stayed there for eight months (not enough... |
Textual Features | Mary Robinson | The poems include an Ode to Genius (which implicitly claims that status), Petrarch
to Laura (which woos a woman in a male voice), and a piece responding to Hannah Cowley
's expression of disbelief that... |
Cultural formation | Christina Rossetti | She came of fully Italian blood on her father's side, and half-Italian, half-English on her mother's. In a piece on Petrarch
, she claimed that family documents proved her descent from his muse, Laura... |
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Textual Production | Christina Rossetti | In 1856, CR
published an historical short story, The Lost Titian, in The Crayon, a small magazine published in New York. Smulders, Sharon. Christina Rossetti Revisited. Twayne. 100 Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 176-9 |
Intertextuality and Influence | Christina Rossetti | The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR
's preface to this sequence... |
Intertextuality and Influence | Mary Shelley |
No timeline events available.
No bibliographical results available.