Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton.
179
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Lucy Walford | LW
had many friends among literary people and those who moved in literary circles. She discussed the books of her childhood with Reginald Palgrave
, who shared many of her early reading experiences, and Wilkie Collins |
Intertextuality and Influence | George Eliot | It was John Blackwood
who thought of the eventual title, after candidates including The Tullivers, St. Oggs on the Floss, Sister Maggie, and The House of Tulliver; or, Life on the Floss... |
Literary responses | George Eliot | John Blackwood
was in general delighted with the manuscript of Amos Barton. Thackeray
, too, read it and was impressed. Blackwood
's few criticisms (particularly of the ending, which he found comparatively feeble) appalled... |
Literary responses | George Eliot | Again early criticism from John Blackwood
upset GE
. But Blackwood's response when she suggested ending her series of tales reassured her how much he valued them. Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton. 179 |
Literary responses | Margaret Oliphant | John Blackwood
reproved MO
for over-using favourite words in this book: he noticed specifically perplexed,troubled,little, and poor. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press. 300 |
Literary responses | Margaret Oliphant | John Blackwood
complained of a certain hardness of tone Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press. 225 |
Literary responses | Margaret Oliphant | John Blackwood
, who knew her work well, once wrote that he considered biography her greatest forte. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press. 253 |
Literary responses | George Eliot | On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble. 131 |
Literary responses | George Eliot | John Blackwood
, though he published it, disliked this story as too negative. It apparently appealed to French artist H. É. Blanchon
, however, whose painting La transfusion du sang, based on the tale's... |
Literary responses | George Eliot | Middlemarch's mode of publication meant that responses were coming in long before the book was complete, including formal reviews. R. H. Hutton
for instance, wrote no less than 6 reviews for the Spectator... |
Publishing | George Eliot | GE
adopted in writing to her publisher, John Blackwood
, her now famous pseudonym: before this Blackwood had written to her as author of, or even as Dear Amos. Eliot, George. The George Eliot Letters. Editor Haight, Gordon S., Yale University Press. 2: 290-2 |
Publishing | George Eliot | |
Publishing | Emily Gerard | Dorothea thought up the plot for this book while she was supposed to be saying her morning prayers at her bedside. The sisters drafted it at a length sufficient to fill four volumes. They had... |
Publishing | George Eliot | The eighth and final book of GE
's Middlemarch appeared, causing publisher John Blackwood
to write that the year would be remembered for this event. Hands, Timothy. A George Eliot Chronology. G. K. Hall. 127 Eliot, George. The George Eliot Letters. Editor Haight, Gordon S., Yale University Press. 5: 352-3 |
Publishing | George Eliot | In submitting this anonymous manuscript to Blackwood
, Lewes
invoked the names of Oliver Goldsmith
(author of The Vicar of Wakefield) and of Jane Austen
. The firm of Blackwood
turned out to be... |
No bibliographical results available.