Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii.
xvi
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Felicia Hemans | Byron
, in a letter to Murray
by 30 September 1816, praised The Restoration of the Works of Art to Italy as a good poem—very, and he echoed it in Canto 4 of Childe... |
Literary responses | Frances Browne | George Croly
in the Dublin Review also focused on FB
's blindness rather than on her writing. He reprinted the book's preface almost in its entirety as one of several other case studies on the... |
Literary responses | Felicia Hemans | Byron
considered this poem inadequate as a result of FH
's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his. Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii. xvi Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Joanna Baillie | The Chief Justice of Ceylon, Sir Alexander Johnstone
, asked that two of JB
's last plays be translated into Singalese.One—The Bride, A Tragedy (published in summer 1828), had a Singalese subject. Quarterly Review. J. Murray. 38 (1828): 602 |
Literary responses | Charlotte Dacre | Byron
disparaged what he judged to be Rosa's absurd and incomprehensible prose in masquerade Dacre, Charlotte. “Introduction”. Zofloya; or, The Moor, edited by Kim Ian Michasiw, Oxford University Press, p. vii - xxx. xii |
Literary responses | Kate O'Brien | It was widely and enthusiastically reviewed. Biographer Lorna Reynolds
says KOB
, like Byron
, awoke one day to find herself famous. Reynolds, Lorna. Kate O’Brien: A Literary Portrait. Colin Smythe; Barnes and Noble. 39 |
Literary responses | Frances Browne | In the Dictionary of Literary BiographyMarya DeVoto
noted the interest in The Star of Attéghéi (and other poems in the volume) in the idea of exile, and the elegaic tone that pervades the volume... |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
Literary responses | Delarivier Manley | Later again there was affection, if not much respect, in Byron
's declaration that he disdain[ed] to write an Atalantis George Gordon, sixth Baron Byron,. Don Juan. Editor Marchand, Leslie Alexis, Houghton Mifflin, http://UofARutherford. 418 |
Literary responses | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Literary responses | Hannah More | Next year saw a rich crop of reviews. Sydney Smith
in the Edinburgh Review, while praising HM
's style and her skill at manipulating her readers, damned the novel as over-moralized, strained and unnatural... |
Literary responses | Augusta Webster | This first poetic attempt was well received. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research. 240: 333 |
Literary responses | Felicia Hemans | Appreciation of FH
was slowly growing. Following on the positive responses from Scott
and Byron
, in October 1820John Taylor Coleridge
in the influential Quarterly Review (published by John Murray
, her own publisher)... |
Literary responses | Sydney Owenson, Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall. 3d ser. 23 (1811): 195 |
Literary responses | Felicia Hemans | Norma Clarke
sees in this late work some of FH
's strongest poetry and a resolution of the conflicts and inhibitions of her earlier work: Deeply religious, personal, and direct, they reaffirm the centrality of... |
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