Henry Fielding

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Standard Name: Fielding, Henry

Connections

Connections Author name Sort descending Excerpt
Literary responses E. Arnot Robertson
Again the sexual content was an issue. Devlin finds both reticence and modesty in EAR , but critics found the book's sexual candour appalling, or called it crude or [r]ather too full blooded, or...
Intertextuality and Influence Susanna Haswell Rowson
As the title implies, the primary speaker and instructor is the father of the family, whose name, Mr Allworthy, comes from Henry Fielding . The mother plays supporter to him. Both encourage the children to...
Textual Production Lady Margaret Sackville
LMS 's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate...
Education Mary Anne Schimmelpenninck
In the house of an aunt she was surprised to find novels (particularly those of Richardson ) a topic of conversation,
Schimmelpenninck, Mary Anne. Life of Mary Anne Schimmelpenninck. Editor Hankin, Christiana C., Longman, Brown, Green, Longmans, and Roberts.
1: 118
and that (in her own judgement) Fielding and Smollett , and various...
Theme or Topic Treated in Text Anna Seward
AS 's correspondence often deals with literary matters as well as with social matters and personalities. She writes with astonishing freedom to Hester Piozzi about the latter's travel book Observations and Reflections: not only...
Textual Production Evelyn Sharp
ES wrote by hand a long letter from Bow Street Police Court to C. P. Scott , editor of the Manchester Guardian and thus her employer, in the light of her probably fast-approaching incarceration.
The...
Textual Features Mary Martha Sherwood
Her introduction calls Sarah Fielding a sister of the celebrated Fielding , and says that she, Sherwood, has retained the main story, the old-fashioned language, and just one of the fairy-tales as a sample of...
Intertextuality and Influence Ann Masterman Skinn
AMS borrows from Richardson a masquerade scene and her basic epistolary form, and radically revises a borrowing from him when her heroine stabs a would-be rapist with scissors. But her general tone and her enjoyment...
Literary responses Charlotte Smith
Some reviewers (who saw the novel as domestic rather than political) were not enthusiastic; the Critical claimed in a lengthy notice to be disappointed in almost every respect with this performance, and deplored the example...
Intertextuality and Influence Susan Smythies
The title-page bears a quotation from Prior 's verse romance Henry and Emma, but SS lays explicit claim, too, to a canonical tradition of prose fiction. The book begins with a series of tales...
Literary responses Susan Smythies
The Critical Review later identified this story as an imitation of Henry Fielding .
Critical Review. W. Simpkin and R. Marshall.
7 (1759): 79
Literary responses Susan Smythies
The Critical Review noted that SS was imitating Richardson in this novel (as she had imitated Fielding in her last). In The Brothers it found all the machinery of a modern novel, without the overall...
Author summary Susan Smythies
SS published three novels during the 1750s, which show her well versed both in the modern novel created by Henry Fielding and Richardson , and in an older tradition of satirical and didactic fiction relying...
Intertextuality and Influence Anna Steele
The novel begins with the Lisle family taking up residence at the ill-fated house of Gardenhurst, an estate that had been gambled away by its young heir during the reign of Charles II , and...
Intertextuality and Influence Elizabeth Strutt
Her picture of ecclesiastical life features the other-worldly curate, Slender, the satirically-drawn rector, the Rev. Mr Plufty, and their respective daughters. ES gives much of the story in the words of Slender's journal (always unworldly...

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