Latter, Mary. Pro & Con. T. Lowndes.
31-2
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Features | Samuel Johnson | This was not the first dictionary of English, but its predecessors had remained more or less close to the model of a word-list, omitting common words or any attempt to distinguish one idiomatic usage from... |
Author summary | Anne Killigrew | AK
(also a painter) was a fine Restoration-period poet, who has the misfortune of being better known for Dryden
's praises of her than for her actual work. |
Literary responses | Anne Killigrew | AK
's death was lamented in at least three poems. Her father printed in her PoemsDryden
's ode on her death, which links her painting and poetry, and subordinates both arts to her virtue... |
Intertextuality and Influence | Mary Latter | ML
here accords honorific citation to Dryden
and Pope
, Latter, Mary. Pro & Con. T. Lowndes. 31-2 Latter, Mary. Pro & Con. T. Lowndes. vii, 14 |
Textual Production | Norah Lofts | Her title is a near-quotation from the lyric by Dryden
which closes The Secular Masque; NL
both quotes Dryden and thanks him. Her preface says Madeline Smith—may the earth lie lightly upon her—gave... |
Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
Textual Production | Delarivier Manley | On the death of John Dryden
, DM
edited The Nine Muses, an all-female collection of elegies on him. Manley, Delarivier. “Introduction”. New Atalantis, edited by Ros Ballaster, Pickering and Chatto, p. v - xxviii. xii-xiii |
Textual Features | Marguerite Gardiner, Countess of Blessington | The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the... |
Textual Production | Mary, Lady Chudleigh | Mary, Lady Chudleigh
, wrote a poem in praise of Dryden
's translation of Virgil
, which was about to be published. It seems that she would not allow her tribute to be printed with... |
Friends, Associates | Mary, Lady Chudleigh | MLC
's circle of friends was largely maintained by correspondence. She discussed literary and philosophical ideas with John Dryden
, Mary Astell
(Almystrea in Chudleigh's poetry), Elizabeth Thomas
, and other women who are... |
Literary responses | Mary, Lady Chudleigh | Dryden
showed his copy of the poem to |
Textual Features | Mary, Lady Chudleigh | MLC
's occasions include the public and private. She opens with an ode on the recent death of the queen's only surviving child
, in which the speaker, unconventionally, rejects the consolation duly offered by... |
Intertextuality and Influence | Elizabeth Meeke | The title-page quotes from Dryden
. The story opens in 1800 with Mr Hamilton left guardian to Lenmore, the son of his dead correspondent in Jamaica. Early scenes are set among a group of... |
Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
Occupation | John Milton | As to poetry, Paradise Lost was quickly recognised as a classic. In 1674, while it was still a very recent text, Dryden
praised it as undoubtedly one of the greatest, most noble, and most sublime... |
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