Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Health | Catherine Crowe | She had previously suffered from depression. Oliphant, Margaret et al. Women Novelists of Queen Victoria’s Reign. Hurst and Blackett, 1897. 149 |
Intertextuality and Influence | Georgiana Craik | In correspondence Dickens
noted that GC
's imitation of me is too glaring—I never saw anything so curious. She takes the very words in which Esther [Summerson] speaks, without seeming to know it. qtd. in Lohrli, Anne, and Charles Dickens. Household Words: A Weekly Journal 1850-1859. University of Toronto Press, 1973. 243 |
Intertextuality and Influence | Evelyn Waugh | In this novel titled from T. S. Eliot
's The Waste Land, Waugh traces Tony Last, like others of his protagonists, from materially and socially comfortable but spiritually arid life in England, out... |
Intertextuality and Influence | Mary Elizabeth Braddon | MEB
recalled the publisher's desire for a blend of the human interest and genial humour of Dickens
with the plot-weaving of G. W. M. Reynolds
. Braddon, Mary Elizabeth et al. “My First Novel”. The Trail of the Serpent, edited by Chris Willis and Chris Willis, Modern Library, 2003, pp. 415-27. 422 |
Intertextuality and Influence | Elizabeth Gaskell | A recurring theme in Cranford is the resistance to change of this insular group—who are convinced, for instance, that robberies must be perpetrated by strangers and that a Signor Brunoni, who turns out to... |
Intertextuality and Influence | Sarah Waters | The novel begins under the sign of Dickens
as one of its two narrator-heroines, then known as Susan Trinder, remembers being taken to see Oliver Twist on stage as a small child, and her terror... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Mary Elizabeth Braddon | Waters argues that MEB
ought not to be condemned for clichés that she herself helped to establish. Rather we should examine them and the genre of the detective or sensation novel as an index of... |
Intertextuality and Influence | Anna Maria Hall | The book provides a harsh critique of English boarding schools. Its account of school life may be autobiographical. Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe, 1997. 110 |
Intertextuality and Influence | Sarah Waters | SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting... |
Intertextuality and Influence | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting qtd. in Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 161 |
Intertextuality and Influence | Isabella Bird | She used her royalties to buy boats for impoverished Scottish fishermen. Kaye, Evelyn. Amazing Traveler, Isabella Bird: The Biography of a Victorian Adventurer. Blue Penguin Publications, 1994. 29-30 |
Intertextuality and Influence | Alice Walker | The opening words of the title are quoted from June Jordan
. The opening words of the text, more surprisingly, come from Dickens
: It is the worst of times. It is the best of... |
Intertextuality and Influence | Mary Elizabeth Braddon | |
Intertextuality and Influence | Ursula K. Le Guin | Science Fiction and Mrs Brown opens with a long quotation in which Woolf
relates how she observed this shabby, immaculate old lady on a train from Richmond to London, and saw her as the character... |
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