O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
139
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Isak Dinesen | She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser
's The Faerie Queene: Be bold... |
Intertextuality and Influence | Susannah Dobson | This work abounds in quotations from Lydgate
, Spenser
, Sainte-Palaye
, William Hayley
, and others. It cites the Roman historian Tacitus
in confirmation that the chivalric system was originally Germanic. O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press. 139 |
Intertextuality and Influence | Constance Smedley | The Fortunate Shepherds (which brings hill shepherds into contact with Forest of Dean miners) uses the twelve verse-metres used by Spenser
in his Shepheards' Calendar. |
Intertextuality and Influence | Frances Isabella Duberly | FID
turns frequently in her journal to literary quotation. She often quotes from poets whose popularity has waned, but she also calls on Longfellow
, Duberly, Frances Isabella. Mrs Duberly’s War. Journals and Letters from the Crimea, 1854-6. Editor Kelly, Christine, Oxford University Press. 216 |
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
Intertextuality and Influence | Florence Nightingale | In tribute to Jones's work, FN
invokes the character of Una (symbol of truth, foe to error) from Spenser
's The Faerie Queene in her bid to inspire others to take on similar religious work... |
Intertextuality and Influence | Clementina Black | Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid... |
Intertextuality and Influence | Anne Grant | |
Intertextuality and Influence | Caroline Norton | After this success Caroline began on a Romantic narrative poem in Spenser
ian stanzas, set in America, to be called Amouida and Sebastian; but she did not finish it. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby. 29 |
Intertextuality and Influence | Mary Tighe | |
Literary responses | Emily Lawless | William Ewart Gladstone
originally took With Essex in Ireland to be an authentic account. Edith Sichel
suggests that it required Homeric naïveté and immense power of belief to take it for a contemporary document, but... |
Literary responses | Sydney Owenson, Lady Morgan | Croker
, who again reviewed for the Quarterly, was obviously one of the race of intolerant critics Quarterly Review. J. Murray. 25 (1821): 532 |
Occupation | Mary Sidney Herbert, Countess of Pembroke | The Countess of Pembroke's patronage was marked by eulogies and dedications (more than thirty) from many writers, including Ben Jonson
, Nicholas Breton
, and Samuel Daniel
. Daniel later told her elder son that... |
Occupation | Elizabeth Isham | Her needlework included doing Irish stitch, tent stitch, and purse-work, making bone lace and bodices, and knitting stockings, and she often gathered flowers in order to copy them in stitching. Isham, Elizabeth. “Diary”. Constructing Elizabeth Isham. 1636 Isham, Elizabeth. “Booke of Rememberances”. Constructing Elizabeth Isham, edited by Elizabeth Clarke. 26r |
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